Stories - True Stories Shared Live

Welcome to Tell Us Something. All of the stories are shared live and without notes. We hope you enjoy.

Stories of the difficulty of being gluten intolerant while traveling in China, being reminded of the magic in life, the complex feelings of a new mother, learning to ride the bus in a new country, and the journey to fix a botched tattoo. Note that the quality of the sound is not as perfect as we would like it to be. These stories are really worthwhile and we want you to hear them. Thank you.

Transcript : Forward to Better - Part 1

Marc Moss: Welcome to the Tell Us Something podcast, I’m Marc Moss.

Sasha Vermel: With a package on the way we get on a 30 hour bus ride from lumper bond vows to convene China, where you muck around and coming in Hiller package arrives, we get it. We bring it back to our hospital and it is like Christmas morning.

Marc Moss: This week on the podcast, five storytellers share their true personal story on the theme “Forward to Better”.

Sara Close: Talking about kids, about love…

Marc Moss: Their stories were recorded live in-person in front of a sold-out crowd on August 10, 2021 at Bonner Park Bandshell Missoula, MT.

Paul Mwingwa: I saw the bus number two, live in the stations. Where does the bus come from?

Jen Certa: And I just felt this pressure, like it was now or never.

Marc Moss: Next week, we’ll hear the final story of the night, told in tandem by two storytellers. More on that later.

Marc Moss: We wouldn’t have been able to produce this event without the help of our title sponsor, Blackfoot Communications. We are so grateful to the team at Blackfoot for their support not only financially, but also for providing volunteers to help staff the event. Volunteers screened guests for COVID, verified ticket-holders and welcomed guests as they arrived at the performance space. Thank you so much to everyone over at Blackfoot Communications for their support. Learn more about Blackfoot over at blackfoot.com.

Marc Moss: Our first story comes to us from Sasha Vermel. Sasha calls her story “Pieces of Home in Far Off Lands”.

Marc Moss: Thanks for listening.

Sasha Vermel: So I’m walking into a post office, including China. It’s a sleepy little college town of 6.6 million people that you’ve probably never heard of. And with my husband in between the two of us, we know about five words of Mandarin. So we are armed only with a first-generation iPhone and a determination to walk out of here with our package.

Sasha Vermel: So we load up the beta version of Google translate. Do you have our package? The words show on the screen, the woman reads them and she speaks into the screen and we wait as the words come up and it says. Where is the chamber of secrets?

Sasha Vermel: I don’t know is that where our packages we’re able to work it out. And she arrived out in the warehouse with our great big package and we legally take it back to our hostel. Now I have always had a strong sense of wanderlust. I was the kind of insufferable 17 year old would sit at the back of break espresso with my best friend, Kendra and Friday at 4:00 PM.

Sasha Vermel: We would read the independent and talk about how much we wish we were growing up in Paris or Tokyo or Seattle. Cause it was the nineties. Now I come by this honestly, there’s these stories that we get from our parents. And this is the story that I got from my mother. Sh e thought that getting married men liberation from her father’s house, she thought it meant travel.

Sasha Vermel: Seeing some places, maybe move into Boulder. But the truth of the matter is they were 20 and 21 years old and they didn’t have any money to travel. And then by the time they did, she was so debilitated by chronic migraines and depression that she didn’t get out of bed two days a week. So the idea of traveling and of going anywhere just really stressed her out.

Sasha Vermel: So when I came into my own, my form of rebellion was to say that I was not going to live my mother’s life. I was going to do all the traveling and all the adventuring that she wasn’t able to do. So now I’m 22, I’m at the iron horse, having a beer with my aunties. I am explaining to them that I have no interest in white picket fences or literally gangs.

Sasha Vermel: They looked at me like, what, what, what, what do you want? I looked at them and said, I want the world. Fast forward. I’m 30 years old and I’m newly married. My husband run that’s, it’s run like DMC. Some of you’re old enough to get that reference. Um, so he’s sort of a six foot, one Israeli J Gillen hall. And he looks at me and he says, I’m ready to have babies only.

Sasha Vermel: I’m still grieving. My mother committed suicide two years before this. And all I wanted was to run away. So I look at him and I say, I’ve never been to India or Thailand. Now the man I married is not one to back away from a challenge. So he says, no, no, no, no, no. You’re thinking too small. What if we just put everything we have into storage and just go traveling and to help, we don’t want to travel anymore.

Sasha Vermel: So a couple of months. We are off. We go to Israel, Jordan Egypt, we live in a beach in India and do yoga for a month. We go to Northern Thailand on motor scooters and travel across it. We attend a rocket festival in Laos. After six months of this, we get to a crossroads where we can’t go on the path that I was planning and run really wants to go to China.

Sasha Vermel: Now, China was the one place that actually scared me. This felt like a little bit far off the backpackers trail that we were on. I mean, we didn’t speak Mandarin and I didn’t really expect people in China to speak English. Um, and then on top of that, I’m gluten intolerant. This means that I can eat anything that has wheat in it, including soy cells.

Sasha Vermel: So if I lose, I get sharp stabbing pains for about two days. And then for the next two weeks, I just feel bloated and constantly hungry. It’s a big deal for my body. So I’m just thinking, how on earth do we go to China where I can’t eat. Or sauce. So I’m not going to back down from this challenge though. So we agreed to contact my dad and Missoula, and he puts together a package of gluten-free food from the good crackers and tasty bites and, uh, some instant oatmeal and a jar of peanut butter, along with a couple of pairs of hiking boots to supplement the flip flops we’ve been traveling in and new underwear.

Sasha Vermel: So we can replace the four pairs that we have been rotating through for the past six months with a package on the way we get on a 30 hour bus ride from long Cavon vows to convenience. Where you muck around in coming until her package arrives, we get it. We bring it back to our hospital and it is like Christmas morning.

Sasha Vermel: We pull out the things I try on the shoes they fit. I leave, leave, throw away the old Fred bear underwear. And I hold a lock, my jar of peanut butter that represents freedom insecurity. And the next day we’re off to our next adventure. We head towards the intersection of Tibet and Shangri-La, which in this case is an actual city.

Sasha Vermel: We’re going to do something called the tiger. Leaping Gorge Trek. We arrive at tiger leaping Gorge at 8:00 AM on a Misty morning in may. Um, it is sort of heavy gray clouds against the blue sky. As we start our ascent below us is a big river, just heavy with spring rock and along the path we see these houses.

Sasha Vermel: And they have shutters and flower window boxes like a Swiss chalet, but they also have the sort of curved Chinese roots, you know, it’s it’s rice patties and this was else it’s sort of disorienting. And I think, oh my God, I can’t wait to tell my mom about this. And then there’s that, that green that comes up when you have a thought that you really want to show with someone who, who isn’t there to receive that anymore.

Sasha Vermel: We, we continue on the trail. We do the 29 switchbacks to get to a place called the knock seat guest house. We’re doing this hike, nicest load. So it’s early afternoon and we’re going to call it quits from the day and just stay there overnight. And so I sit down at a chair, overlooking the courtyard. I hope that my backpack, I pulled out the jar of peanut butter.

Sasha Vermel: I opened the lid, locked the seal cause I haven’t had any yet. And I grabbed my spoon and I take them. And it’s smooth and again, a little, a little crunchy and it’s sweet and salty, and it tastes like comfort. It tastes like home. And as they go to take another bite, we hear that. It sounds because there’s construction going on.

Sasha Vermel: Now. My husband is really up for adventure, but he is not up for construction noises. So he comes over to me and he’s like, let’s go, I’m hungry. And I’m tired. Obviously I’m really bloated for being Chinese food, but it’s not rich having a fund. So I grabbed my backpack. He grabbed the bag of peanut butter and it’s an, a paper bags as he lifted up that glass jar of organic peanut butter shoots out the bottom and splats on the flagstones below is just the butter. Right. But we continue on 10 feet apart in silence because I’m not ready to talk to him.

Sasha Vermel: Sorry, I didn’t mean to do that

Sasha Vermel: softening, but I’m not quite ready to let it go. So as we were almost getting to the next guest house and another sensation comes up in my body because I really have to be, and on one side of me is the mountain. And on the other side of me is a sheer cliff. So this isn’t actually like a real great place to just go.

Sasha Vermel: So we hustle up the last little bit until we get to the halfway guest out, which is at the summit of this particular trip we walk in and it kind of looks like bizarro world, like McDonald lodge right there. And I follow the infographic signs down through the hallways, out to the edge. And then there’s this bathroom stall.

Sasha Vermel: I opened the door and looked down and there’s the two ceramic footpads and the hole in the ground and a squat toilet. There’s a wall on this side of the. At a wall on this side of me and in front of me, where there would usually be a wall. There’s nothing like sky and mountains where the apex of this hike.

Sasha Vermel: And as I undo my button and like go to squat, like I feel kind of dizzy. The view looks like I’m at an elevator right in front of the mission mountain. And if you’ve ever been on a really good hike, you get to the top of the mountain. And there’s this moment where the mountains across from you seem so close.

Sasha Vermel: It’s like, you can touch them. It’s like communing with the divine was AP. I started to laugh. I did it. I felt the most beautiful squat toilet you in the world. I’ve traveled 10,000 miles. And now that I’ve gotten here, it kind of looks like Montana.

Sasha Vermel: So I think to myself, what are you still trying to prove? You’ve been running all the way around the room all the way around the world, and running’s not going to bring your mom back. Maybe, maybe you just have to make peace with the fact that she chose her own ending. Maybe, maybe it’s okay to not try to rewrite the story anymore or just continue to live hero. Thank you.

Marc: Thanks, Sasha.

Sasha Vermel passionately believes that we all have a basic need to hear and tell stories. By day, she is a real estate agent with a sewing and design habit. Born and raised in Missoula, MT she earned a BFA from U of M. In her former life she worked in theater costume shops across the West and frequently performed on stage at Bona Fide and Bawdy Storytelling events in San Francisco.

Marc Moss: Our next story comes to us from Sara Close.

Marc Moss: Sensitive listeners please be aware that Sara’s story mentions suicidal thoughts.

Marc Moss: Sara calls her story “A Lesson in Magic”

Marc Moss: Thanks for listening.

Sarah Close: Okay. So this whole story starts on my bedroom floor. Years ago, I was sitting in my room with my back against my dad, basically my dresser, our house was yellow and the walls in cyber yellow. And so the light was coming in from the south and kind of like bouncing off the walls. And it was really beautiful.

Sarah Close: Um, my two-year-old was feeding across the house soundly and it was just really quiet, maybe big car passing by outside. So for all intents and purposes is beautiful fall day. And then sitting there and I looked down at my hand and I’m holding my phone and shaky and I feel a little panicky. And I’m not really totally sure where to begin just suicide hotline.

Sarah Close: So obviously like I’m up here on stage. This is not a sad story. Like this whole thing turns out. Okay. Um, and so not still the punchline before we get there, but I won’t tell you about a couple of years prior to that there was a phone with a woman that I really respected. I was interviewing her to be a speaker at a conference that I helped to create to this bigger score.

Sarah Close: And she’s a professional storyteller. And so I’m, I’m interviewing her and asking her about all these different, amazing things with it, for work. She’d also just become a mom. So we worked, we kind of sidetracked into more like life land and not work land and was asking me because I’d known her for a really long time.

Sarah Close: And she finally said this to her, like, do you ever, like, have you ever thought about telling your story? And I. Honestly in thinking back on this limit, like, I don’t really remember what came out of my mouth. I just remember that my hand had been through scribbling notes through this whole thing. And I looked down at, at what I was writing and I wrote the words I believe in magic.

Sarah Close: And I do the hot thing, not the kind of like pull quarter out of your ear magic, which my daughter would be super stoked about. And I still haven’t figured it out, but, but like synchronicity, you know, and those, those moments about goosebumps and those sort of like moments of connection in the work in the world is sort of like universal whacked upside the head.

Sarah Close: Not because those things happen to me all the time, but because when they do, I kind of know that I’m on the right path and honest to God magic has helped me turn some of the hardest moments in my life into moments of beauty. And so just to give an example of what I mean by that years ago, um, I lost my partner in an avalanche.

Sarah Close: It’s definitely the hardest, probably most significant moment I’d had with grief to date. I was 24 years old. And for some reason, I, at 24 years old, got tasked with buying and earn, I don’t know, like how many 24 year olds have to go through the process of buying a Fern. But because I knew that was going to be hard.

Sarah Close: I enlisted the friend, didn’t come with me to make sure that I didn’t end up in some sort of like sad person puddle on the floor. Like whatever kind of store sells earns, because I didn’t know what that was at that time. So we’re in the car and we’re driving and he turns to me and he was like, Sarah, like, what do you think the Aaron’s going to look like?

Sarah Close: I was like, well, Johnny, or is that his spirit animal is a tiger. So I bet it’s going to have a tire on it. I was like, kind of joking about, but kind of also like, felt serious about it. We pull into the parking lot, get out of the car and we’d go into the store and we open the doors and walk in, literally there’s the shelf right in the center of the store.

Sarah Close: And you guys have not even joking. There is like one wooden box on the shelf with the tire on it. And I was like, okay, that feels kind of magical. And about six months later from that, uh, I went home with my parents for the holiday. It was my first holiday I had spent without my partner in a really long time.

Sarah Close: And I was so thankful obviously for the parents, for taking me in, um, beyond like, I didn’t really want to be there. You know, like I just, I didn’t want to be there. Like I wanted to with this person and put in, um, and my parents were so amazing. My mom at one point went downstairs to the basement, she friends back on the shoe box and it’s full of those.

Sarah Close: Um, like CPS heathered old photos, and then we start going through them. They’re all these pictures of beds. Is there a way I can go grab a pen? Like you just never know when one of us, isn’t going to be around to tell you who’s in these photos, like, I’ll tell you, you write the names on the back, like, great.

Sarah Close: So we did, this is perfect whole beautiful complete evening. And my dad has to be like, no, I didn’t know. And that was hard, you know, but still it was magical. It was like the universe. This is setting me up to have this experience that I needed to have. I know, like, even though I didn’t know it at the time, so anyways, before I like moved the heck out on you guys, to going back to that moment on my floor, in my bedroom, like there was not a lot of magic happening in that moment.

Sarah Close: I. I just, I was so profoundly sad that it actually physically hurts. Um, and like mark said, I teach yoga. So like any good yoga teacher does, you’re like how you can grab it to be my way out of this. So I’m like trying to pull all these moments of like the things that I was thankful for all these pieces that I was thankful for, because maybe one of them would help me pull myself out of this and it just wasn’t happening.

Sarah Close: So I closed my eyes and I found the number at the top of the Google search and I hit call and the phone rang, and then this message hotlines was closed. I mean, right. Like suicide hotline. Anyway, that’s like a whole different conversation, but the hotline. So I am sitting in there like, holy hell, this was like a really big move.

Sarah Close: And now you’re, and I didn’t know what to do. And this little voice comes on and it’s like, if you’d like to be transferred to our sister hotline press, and I’m like, well, why the hell not like bunches, Crestline? So we’re here. So I press one and it transfers me. And then I kept this God awful, whole music, like the kind of like really annoyingly, upbeat, even if you’re not like a suicidal, depressed person calling for help, it was like the worst.

Sarah Close: And I’m waiting and waiting and waiting. And then this worst picks up at the end of the line. I’m like, oh, thank goodness somebody is here. Somebody is going to help. And she has the thickest. Yes. Jamaican accent. I have ever heard in my entire life. And I literally was like, oh my gosh, customer service.

Sarah Close: Feel like I’m all sure you even know what to do with this. I was so frustrated. But she started talking and she had this like warm speak tone. And so I kind of hung on and she started asking me all these questions, like the right ones that you’d expect somebody to ask, like, do you have a plan? No. Are you in immediate danger? No.

Sarah Close: Is there anybody else in the house to hang up the phone? Cause there was somebody in the house and it was the very person that I took every breath for that. I take everybody for that. I never want to leave this world ever. And for was. So decently across the house with zero idea what was happening first of all, and if I said, yeah, my daughter’s here like a bad mom.

Sarah Close: I could give a reason the child, if she can hold tight services. And for, I would like in this whole thought process in my head and the words came out, yes, my daughter’s here and Jamaican woman transformed an instant into Jamaican mama. I will spare you guys, my Jamaican accent, as I’m going through all these things with her, she was like, oh my gosh, how old is she?

Sarah Close: What’s her name? And we spent the next, like 20 minutes talking about kids about love, about how hard those early childhood years are about our philosophies on everything, being a fades about motherhood, about our moms. And I swear, I could’ve just hung out in that space with her in my room. Forever. It felt like sitting with my mom until eventually we had to both realize like, okay, like I called you and you’re the person.

Sarah Close: And I like, this is a suicide hotline. So she’s like, Hey, it’s holiday weekends, everything’s closed, everything’s closed. And let’s just like, steer you in efficient, getting help. Where are you? And I’m like, where I’m in Missoula. She’s like, well, where’s that? How do you spell it? Cause like everybody asked that, when did you say this word to everybody?

Sarah Close: It’s not here. So I’m like, oh, am I like, I’m in Montana? Where are you? She’s like, oh, I’m in Washington DC. And I said, well, what side? Cause there’s two for anybody that has been there, there’s a marijuana number. Then you decide, she said, I’m on the Maryland side. And I was like, okay, well where in their lens?

Sarah Close: Oh, our county, do you know it? And I literally started to feel the hair come up on the back of my neck because he didn’t know it. And I kind of knew where this was going. And I said, where in Harvard. She said I’m in Columbia. And I’m like, where I’m at Howard county, general hospital. You guys like to make an mama, Jamaican lady, whatever you want to call her was not in Jamaica.

Sarah Close: She was literally working in the hospital where I was born, like on the other side of the country. And she could have probably like my mom’s house was across the street and I was probably in the house we were talking. She probably could have hugged the rock out the window, my parents’ house. And I didn’t know anything else to say other than I, I think you’re my angel, you know, it was just, uh, I don’t think I’ve ever felt more held in my entire life and I, would’ve never connected with.

Sarah Close: Jamaican mama angel, which she doesn’t know that I called her this, it might make a mama angel, had I not Googled or pressed one or waited through that awful holding music or like resisting the shame storm or any of those cases, you know, like there was so many moments along the way to let your stigma and shame and should took the wheel and just lost.

Sarah Close: Um, and then coming out of that experience, I think about my daughter was talking about this earlier today, which she always tells me you’re a calm things can be sad and happy. And I think I was just stuck in this dichotomy of being lost and that really had nothing to do with it. It wasn’t about being lost or about being found, but remembering that we’re always, and in all the ways, connecting to each other, you know, in sometimes.

Sarah Close: Universal hotline.

Marc Moss: Thanks, Sara. Remember, You are not alone. Reach out. | Suicide Prevention Lifeline: 1.800.273.8255 | projecttomorrowmt.org | “text MT” to 741-741

Marc Moss: Sara Close is a strategist and convener of good ideas and good people. Director by day, yoga teacher by night, but a mom all the time, she’s happiest on the water, on trails, or on the trampoline… but definitely not on snow and is still trying to figure out how to do winter in Montana right.

Marc Moss: Lauren Gonzalez is up next, with a story that she calls “No Girls Allowed”.

Marc Moss: Thanks for listening.

Lauren Gonzalez: All right. Um, where did I start? Do I start now? Okay. All right. Where to begin? Um, I had never wished so hard in my life. To see a penis. Wait, let me back up. Let me back up a little bit. I didn’t always want kids, but when I finally decided my clock is ticking down at the time, my husband and I went ahead and had one and we were delighted, not just because it was a healthy baby, but because it was a moment he got the boy that he could name after his brother who had passed several years previously.

Lauren Gonzalez: And I got the boy that I wanted because girls are mean, and they’re manipulative. I’ve lived the experience. And I know, but also because when I was about eight years old, I got my first babysitting gig and I was tasked with babysitting this girl named Hannah, who was about three years old and somehow our activities together devolved into her throwing toys at me and blocks and like hard matchbox cars like toys hurt when they hit.

Lauren Gonzalez: If you didn’t know. Um, and so I just ended up not knowing what to do. I so desperately wanted to do a good job. Um, and I didn’t want to admit that I needed any help. So I ended up just cowering in the corner and crying tears, streaming down my face and accrues to me. Now I could have left the room, but you don’t, you do what you do in the moment.

Lauren Gonzalez: Um, and it, it was traumatic. And I knew from then on, you know, if I ever have kids one day, no girls. Thanks. Um, so this was my life plan and I knew that it would work out because I just, I couldn’t envision myself mothering girls. So obviously I wouldn’t have any that’s how life works. Right. Um, so we had this baby, Joey, our first born, super mellow, easy baby.

Lauren Gonzalez: So I’m like, man, we’re good parents. Let’s go ahead and have like three to seven more right away. So we get pregnant right away, um, with the second and right away. Off, like I know evil is growing inside. Experience was like a cush Cadillac ride, like very comfortable. Very cool. The second experience was like a bumper car ride at the fair.

Lauren Gonzalez: I just felt like jostled and uncomfortable and nauseous and sick, but still I thought, you know, I held out, I was like my life plan, my life plan. It’s going to work out. We get to the gender reveal party in Demond, M spill out of the cake. And I’m still like food doctor’s practice, which means they can make mistakes.

Lauren Gonzalez: They’re practicing. So, you know, baby penises are cartoonishly small. It could just be, you can’t find it on that little screen. So every ultrasound I’m going and I’m staring at that little screen and I wishing for a penis I’m just wishing so hard and it just never materializes. And then finally the day of the birth comes and out, she comes June Pearl, and I stare into her little base and I just think.

Lauren Gonzalez: How are you and what do you want for me? Because honestly, I didn’t have a whole lot to give. I, I didn’t know how to mother, a girl, honestly, I don’t think I was strong enough. I thought you needed to be a strong woman to mother, a strong woman, and I didn’t have what it took. So I, um, I, we moved forward together.

Lauren Gonzalez: Obviously I took her home, my baby fed her. She still lives with me in case. Um, but I didn’t know what to do. I just felt so much, um, there was no passion, there was no joy in it. It was more like obligation. And I felt very resentful that she was taking my attention away from my first born, my boy. Um, and I felt super guilty because what mom feels this way about their kid.

Lauren Gonzalez: Um, wasn’t an experience I’d expected to have, and it wasn’t my life plan. Um, and so. We move forward. She keeps getting older. She keeps needing from me. She needs love. She needs attention. She needs affection, all these things. And she gets to age to age three, age four. Um, and I turned into this person. I don’t even recognize, um, I, this tyrant I’m yelling, I’m screaming.

Lauren Gonzalez: I don’t know how to control her. Um, she’s very, strong-willed some of you met her then, you know, um, she’s quite the reputation, but I am, I just turned into this tyrant and I it’s the only way I know how to get back control because I don’t want to be that girl cowering in the corner anymore. So I try being the, the, the bullying instead.

Lauren Gonzalez: And I ended up, you know, just trying to take control by being over the top. And I do, you know what it feels like to scream it until your oldest feels terrible? I would slam doors. I would run into my room and just cry out of my bed and think what have I become? I don’t even recognize. I was afraid to be alone with her really.

Lauren Gonzalez: And I’m sure my husband was afraid to leave me alone with her. I just was so angry. I’d never seen that level of anger come out of me before, but I had seen it before because as parents, we only know how to parent the way that we have been parented and in my house, any loss of control. I mean, my dad was known to throw staplers objects, slam doors, yell, and scream.

Lauren Gonzalez: Um, and it’s all I knew how to do. And so I just learned to live in this little box. I learned to be with the adults around me needed and, um, to live really small. And so that’s how I grew up and that’s how I live my life. And then June came around and man, she was born with a strong spirit. And I can tell you is this legacy of anger was my family story for generations, but it’s not our story because June came out with this fighting.

Lauren Gonzalez: And she would not live inside this little box, man. She just, she wouldn’t be controlled. I, I couldn’t get control. Um, and so at some point around age four or five, she and I together kind of learned to live in this strength that exists between the girl crying in the corner and between the bully, throwing the blocks, there’s the strength right in the middle.

Lauren Gonzalez: And she taught me that she taught me how to live there and how to be, to get, I don’t have to get control. I don’t have control over anything. And that, I don’t think I ever realized that, um, until she came along, um, and she has just grown into this amazing girl who wears a backward slip as a dress to the daddy daughter, dams at the Y and is a total creative.

Lauren Gonzalez: I mean, she just sees the whole world in color and learning to see it. Her way has been such an amazing. And then, um, you know, she squirrels away little pieces of trash in her room and this insane filing system that like, she knows if I’ve touched it, but she also, like, she knows where everything is. I’m getting on board, you know?

Lauren Gonzalez: And like, this is the experience that we’re having, we’re doing it together. So, um, you know, I went back when I brought her home from the hospital for the first time. I didn’t know how to process my feelings. And so as a writer, I just blogged about it because why would you not just write about it for millions of people to read on the internet?

Lauren Gonzalez: You know, they put all your feelings out there. Um, and so I did that and I remember my mom telling me, you’re probably going to regret this is how will she feel when she grows up and she reads, you know, your experience and everything that, how it happened. Um, and I can’t say for sure how she was. But I hope that if she has kids, if she has kids, she will know that you don’t have to be a perfect parent.

Lauren Gonzalez: When you start out, you just learn to be the parents that your kid needs. Um, and you make room, you just learned to make group. Um, and you, a lot of times, your healing is found in that process and on that jury. Um, and I hope she sees that as a mother, the experience doesn’t have to look in a certain way.

Lauren Gonzalez: It doesn’t have to feel the way it feels for everyone else. It doesn’t have to be Pinterest worthy. Um, just follow the journey. I mean, you just, everybody gets there in their own way. Sometimes it’s fucked up, but you get there. And then if she doesn’t have kids, I hope that she sees that she was the beauty, that Tam cookies that I was when she first came home.

Lauren Gonzalez: And, um, I couldn’t be more grateful. Um, and she, because of that, she’s capable of. And I can’t wait to see what comes out of her and where we go together.

Marc Moss: Thanks, Lauren.

Marc Moss: Lauren Gonzalez is a Southern-born thirty-something who writes/edits, climbs, (pretends to learn the) drums, sings, homeschools, and mothers two plucky kids (alongside her partner of 10 years) here in beautiful Missoula. Also seen in: the Good Food Store, being overly indecisive in the coffee aisle; the library, labeling it “me time” while the kids play completely unsupervised in the Spectrum area.

Marc Moss: Our next storyteller, Paul Mwingwa, is a refugee from Congo by way of Rwanda.

Marc Moss: We call Paul’s story “Riding the Bus”. Thanks for listening.

Paul Mwingwa: Hello? I wasn’t, they do something about

Paul Mwingwa: But before that, I will tell you how was writing in my country. maybe a city entrance to the big city, which is like low, low, and right.

Paul Mwingwa: The bus to get placed in that the bus. And for some people need to go through the windows to get to the bus and for the money. Then I crossed the border because look, the one I come in, the one down where I spent 18 years as a refugee. In one night, it’s kind of, pick the bus. And when we get up the pass station, they have to make light. He’s the first person to arrive at the bathtub, get in the bus. Then when we arrived here in Missoula, in November, yeah.

Paul Mwingwa: The organization will come refugees here. Tell us how to ride the bus. And this was in need to go to those or Walmart, the one office in stuff, one or two kids at school. And one of my son who was at the Sentinel high school and they tell us we was living close to Franklin elementary school. And from there we should take the bus number two.

Paul Mwingwa: Then the first day Volusia took my son out of school. And the second day I decided to take myself, my son and see where he picking class. Then we take the bus from Franklin elementary school. We were at downtown, all the people in the past to get out, you can drive, also get out. And we decided also to get out, when do we get the other day?

Paul Mwingwa: I asked him, I asked my son, how many buses did you take to come to school? We didn’t want to one bus.

Paul Mwingwa: No.

Paul Mwingwa: I you said, okay. I can ask someone. I ask someone for help. It’s okay to go, to get to certain the last school you missed the bus.

Paul Mwingwa: Number one, then you show the bus number one, getting the bus. Number one, I go to the office every day for my son, then all my way, go back at, at home.

Paul Mwingwa: I was thinking how it guy I boil for 16 years. Can we get you into the bus and they can attend the bus without knowing, and he get out of school. That was a finger about that. And we arrive at the Suffolk. Good for my, for my idea. I was supposed to get out of the dead bus, wait for the bus. Number two can take me to my place.

Paul Mwingwa: Then I get down to the bus and I see him that day. Getting my hand like this, I saw the advice. Number two, live in the session.

Paul Mwingwa: Where does it come from?

Paul Mwingwa: No, it said make it go. I pulled an interpreter. I explained him how the bus, I missed the bus. Oh, Paul, you many mistakes by school, the number and not from your house.

Paul Mwingwa: Don’t tell them the bus number to 10. The number from one from two. And from there, if I got stuff more, if I, the number from one to two, now that my son knows, right. Because when he

Paul Mwingwa: I just said, okay,

Paul Mwingwa: I get the lessons with the lady. I went there for 15 minutes, then another master I saw he’s always number one. Then they saw it and he said, he jumped the gun. Number two, I waited to get to the bus and they can I take, I get my job and the fourth day I was supposed to go work. And when we arrived, You know, a country didn’t have this normal.

Paul Mwingwa: And I felt that it was seeing my kids blend is blue. I did feel that is very cold.

Paul Mwingwa: Now I wake up in the morning. I go to south Suffolk it’s month, wait for the bus. I didn’t wear clothes, which skin protecting me. And I arrived there. I went to. What was it? 15 minutes.

Paul Mwingwa: And I was called, they’ve called the tenant from Corning, this filing my hands.

Paul Mwingwa: All the ears was binding. I assumed the bus number seven, but then I didn’t do that bus faster by sending me out to downtown. I was waiting for the bus number two or bus number one,

Paul Mwingwa: the bicycle riding. I was suffering myself. I was praying while your friends who I put my hands on my issue, they, I lose how it can be one, but they didn’t to get that.

Paul Mwingwa: I get in the bus quickly and they go to the bottom, crying in myself who can, how it can feel better. And finally, on my hand, my. We got, I didn’t know how we get the downtown and it was under the tone means I want to go my way.

Paul Mwingwa: And I explained to my supervisor what’s happened to me, so I miss it by and I knew

Paul Mwingwa: I very cool. We didn’t know that this, but I forget I’ve started to get them all. I said, then my sixth or eighth, I got my lesson from that. I learned how to let the all new you come. I threatened them. Right. Because I would get my gun every time I saw someone outside this door, I went in and when I I’m with him,

Paul Mwingwa: I tried, I have friends. Don’t play with this known by him.

Paul Mwingwa: Thank you for that.

Marc: Thanks, Paul.

Paul Mwingwa is the Refugee Congress Delegate for Montana. He is a resettled refugee from the Democratic Republic of the Congo and came to the U.S. in November 2018. Mwingwa is studying Computer Network Design, Configuration and Administration Modules at Missoula College. Today, he works as a Swahili language instructor and private contractor at the Lifelong Learning Center and a food service worker at Providence St. Patrick Hospital. In his free time, he enjoys hiking and walking along the river.

Marc Moss: Jen Certa originally shared this story in 2020 during one of the Tell Us Something live-streamed events. It is such an important story that we thought she deserved a live in-person audience to hear it. Jen agreed.

Marc Moss: Sensitive listeners be aware that Jen’s story mentions sexual assault.

Marc Moss: Jen calls her story “How to Love This World”. Thanks for listening.

Jen Certa: So there’s this thing that used to happen to me every year when the weather would get bummed 45 and it was settled. Sandal weather in Missoula, standing in line at the grocery store, hang out in front of backyard, floating the river and of leaves. Someone would look down at my feet and they would ask me the question.

Jen Certa: I read it. Hey, what’s your tattoo? I hated this question and I hated it because every time someone would ask them this, I was just flooded inside with shame. 10 years ago, I was 24 leaving Montana. And what I thought would be a permanent move. And I was just heartbroken about leaving for the previous few years.

Jen Certa: Montana had been misplaced where I had felt the most alive, most fully myself that I had felt ever in my life. I was so afraid to lose that feeling. And I was just desperate to take with me some kind of a reminder of what this place had meant to me. So I made an appointment at a local tattoo shop like you do when you’re 24 and having a quarter-life crisis.

Jen Certa: And since this was going to be my first tattoo, I was more than a little nervous about how it was going to turn out. So I asked the artist who was going to be doing my tattoo, and you wouldn’t mind doing drawing part of the appointment for me to just kind of help ease my anxiety that I did, what I wanted it to be.

Jen Certa: And he said that he would. So for the six weeks prior to the appointment, I checked in diligently every week with him to see if the drawing that he had promised me was ready. And each week he kind of blew me off. He’d say you’ve been really busy that week and you’d get to it the next day. And that happened over and over again.

Jen Certa: I was starting to feel a little uneasy about it, but he had come really highly recommended by a friend. So I stuck with him finally, the day of the appointment arrived and I still hadn’t seen a drawing. I got there and he asked me to remind him what it was that I wanted. And talk to me. I told him pretty clear disinterest for a few minutes, and then he disappeared in the back somewhere.

Jen Certa: And like, I swear, five minutes later, he comes back out and he hands me this piece of paper and it has a clip art picture on it. And sometimes in a font, but I would say was like a Microsoft word, scripty sort of font. And I didn’t love it. So I asked him if he would be willing to make a few. And he basically told me with the air of someone who’s being incredibly convenience, that it would just be a lot of trouble for him to make some changes to this divine right now.

Jen Certa: And if I wanted to get a tattoo that day, it was pretty much, it was too late. I had waited six weeks for this appointment and I was leaving Montana and another two weeks, and I just felt this pressure, like it was now or never. I don’t remember. It was a warm day and still the vinyl chairs sticking to the back of my leg.

Jen Certa: The air was just fit with this metallic by thing and a tall, pretty intimidating, somewhat annoyed man, towered over me and asked, ready. Uh, yeah, yeah. Ready?

Jen Certa: I said that even though I didn’t feel ready or good about this at all, second, the needle touched my skin. I knew, I knew this. Wasn’t what I wanted for my body.

Jen Certa: In this moment. I knew I was abandoning my intuition, my inner knowing.

Jen Certa: And I said, yes,

Jen Certa: There have been other times in my life where I felt intimidated powerless, where I’ve had a man do things to my body that I did not want. And a 24, no one was forcing me to get this tattoo. I was choosing this. I had power in this situation and I, the way I stayed frozen inside.

Jen Certa: I mean because of that, the hummingbird didn’t come out as soft and elegant. And as I was hoping that it would, and sort of the sort of rough looking like it’s feathers, it kind of in blown around in a wind storm and it was positioned in this sort of aggressive way. Like it was ready to dive on something at any moment.

Jen Certa: And then there was the line from the Mary Oliver poem that I love. There was only one question how to let this. And that Microsoft word fond. Yeah. How’s it turns out the side of your foot is in a great place for a tattoo. So over time, the words faded in such a way that eventually it just read one question.

Jen Certa: I used to tell people what they had asked me what the one question was, question tattoos,

Jen Certa: but the truth is what it looks, what it looked like is not. So you’ll reason why I. I felt so much shame when someone would notice it and why I tried so hard to hide it it’s because this tattoo was a literal physical reminder of psychological scars ones that I didn’t ask for that I profoundly disliked about myself for a long time.

Jen Certa: And that like-mind my, to, I fight really hard to avoid looking at things. Went on like that for about a decade until March 20. The pandemic happened and suddenly, like a lot of people, I was spending a ton of time alone without much distraction. And as the lockdown days turned into weeks and months, I was finding it harder and harder to avoid my own thoughts and to avoid looking at the things I had tried so hard to avoid.

Jen Certa: And of course it was also hard to avoid looking at my tattoo because I wasn’t leaving my house. So I didn’t have reason to wear shoes. And during that time I realized something. I realized that it was not a matter of if I would look at the stars, but a matter of how. I could continue to look at them with self-hatred and God as I have, or I can choose to look at them with some compassion for myself.

Jen Certa: I can’t change the experience that I had of getting that tattoo or of any of the other experiences that it reminds me of. But what I can do is take small steps to reclaim them. So earlier this year I made an appointment at a different local tattoo shop. The artist that I met with. Who I researched thoroughly beforehand, this time was kind.

Jen Certa: And she asked me thoughtful question. As I tried to explain the design that I was picturing in my head fire weed has a somewhat on parent name, but I think it’s beautiful. And it is one of my favorite and become one of my favorite wild flowers in my time as a Montana and even more important to me than that fire, we get 16 from sensibility to grow in burn areas, landscapes that have been traumatized by wildfires.

Jen Certa: It’s the first flower to bloom to reclaim a landscape after a fire scars. And now fire blues from one of my scars too. It’s a reminder that new road and fans forum, you’re going to play some terrible distraction. And also an answer to that one question of my original tattoo, how to love this world like this, including the joy and everything in between, and including me too.

Marc Moss: Thanks, Jen. Jen Certa is originally from New York, but accidentally began a love affair with Montana in 2009 and is grateful to have called Missoula home since. Jen works as a mental health therapist at an elementary school, where she spends her days debating the finer points of making fart noises with your slime and playing “the floor is lava.” When not at work, Jen can most often be found hiking with her dogs and running late for something.

Initially, I had hoped that they would each share a story individually. When they pitched the idea of sharing their story in tandem, I was skeptical. I thought, well, this isn’t a normal year. Why not?

Teresa Waldorf: March 22nd, and I’m not flying to be I’m in a long distance relationship with a man who I think is going to be the next great love of my life. But we’ve been having an argument on the phone. I’m saying I have to cancel my flight. My mom is crying and he’s saying things like, well, at our age, I don’t think we do what our moms tell us.

Rosie Ayers: I had stopped all theater productions, all classes. I had no answers for anything.

On the next Tell Us Something podcast, tune in to listen to them share their experience of a pandemic reckoning that they call “March 22”.

Thanks once again to our title sponsor, Blackfoot Communications. They deliver superior technology solutions through trusted relationships and enrich the lives of their customers, owners and employees. Learn more at blackfoot.com

And thanks to all of our in-kind sponsors:

Joyce Gibbs: Hi, it’s Joyce from Joyce of Tile. If you need tile work done, give me a shout. I specialize in custom tile installations. Learn more and see some examples of my work at joyceoftile.com.

Gabriel Silverman: Hey, this is Gabe from Gecko Designs. We’re proud to sponsor Tell Us Something, learn more at geckodesigns.com

Marc Moss: Missoula Broadcasting Company including the family of ESPN radio, The Trail 103.3, Jack FM and my favorite place to find a dance party while driving U104.5 (insert Gecko Designs) Float Missoula – learn more at floatmsla.com, and MissoulaEvents.net!

Marc Moss: To learn more about Tell Us Something, please vistit tellussomething.org.

 

Bonnie Bishop talks about what it was like to be the first person in Tell Us Something history to share her story in a live-streamed setting. We talk about the pandemic, about collective grief and about what it means to begin returning to life beyond quarantine. After our conversation, you can hear the story as Bonnie shared it on the Tell Us Something live-streamed stage.
Tell Us Something believes that everyone has a story. We believe that all stories matter. We believe that storytelling brings us together as a community. We believe that stories connect us as community members, open our hearts, change our minds, change our community and change the world for the better. PLEASE, IF YOU CAN, GIVE GENEROUSLY DURING THIS YEAR'S MISSOULA GIVES. For the past 11 years, Tell Us Something has supported the community through the art of storytelling and reaches people through live events, storytelling workshops, podcasts, our YouTube channel, and now live streaming storytelling events.
This week on the podcast, we check in with Anna Haslund, the first Deaf storyteller to have shared a story on the Tell Us Something stage. We talk about her story and what it was like to share a story on the Tell Us Something stage. We also talk about her excitement to compete in the Miss America Pageant representing her state as Miss Montana. During our conversation, Anna also shares some of the unique challenges Deaf people face during the pandemic. After the interview, stick around for the story that Anna calls “Joe + Balthazar”. Anna's story takes us on a wild horse ride in which she performs a daring horse rescue on a forest service road in Montana.

Transcript : Interview with Anna Haslund

Welcome to the Tell Us Something podcast, I’m Marc Moss.

This week on the podcast, we check in with Anna Haslund, the first Deaf storyteller to share a story at Tell Us Something. We sat down in July of 2020 during the midst of the pandemic. And she shared with us what it was like to share a story at Tell Us Something, her excitement

to participate in the Miss America Pageant representing her state of Montana, as well as some of the unique challenges that Deaf people face during the pandemic.

All this, coming up. Big thanks to our Title Sponsor, The Good Food Store, and thanks to our Enduring Sponsors, cabinetparts.com and Blackfoot Communications.

Special thanks to our Champion Sponsor True Food Missoula. Each year across Missoula, nonprofits raise money during Missoula Gives for expanded programming, special projects or, sometimes, just to keep the lights on.

Tell Us Something looks forward to your support during Missoula Gives May sixth and seventh. Learn more at missoulagives.org. So, Anna,

[Marc] You’ve been coming to Tell Us Something for how long?

[Anna] Wow, I think it’s been about five years.

[Marc] So, how did you come to decide, that you wanted to tell a story?

[Anna] Good question. Let me see.

So, my interpreter Bonnie actually told me that there was an event called Tell Us Something, and I hadn’t heard about it.

And so I went and was in the audience. And then I felt that I could probably get up there too. And I know that there weren’t any Deaf people that had done it before, so I feel that would be really empowering for me to get up there and just tell a story.

And then the audience, oh my gosh, they were so supportive and so excited! And when I finished the story they were all applauding for me in sign language, and it was just such an honor and I, I like being representative for the community.

So, I felt inspired.

[Marc] And when you told your story.

What was it like afterwards?

[Anna] So, it just felt like a really big change for me.

I’ve always been a very, like, closed and personal person, but getting up there and telling the story, I felt, y’know, just some new emotions and I was able to get out of my shell some more and make some new friends.

And we all supported each other. It was great.

It feels like I’m part of a big family now [Marc] You are!

[Anna] Exactly.

[Marc] So you’ve done this twice. You’ve told a story twice.

Is there one that you enjoyed telling more than the other one?

[Anna] It’s hard to choose but I think the one that I told about the, the two horses, you know, Joe, and then the other horse. So, Yeah, I think those, that was my favorite one to tell. [Marc] Yeah. Everyone loves horse stores.

[Anna] Yeah.

And they know that when I was trying to make that sound, you know, for the kissing the horse? That the audience, looked like they really enjoyed that too. [laughter]

[Marc] Yeah. You told a story about heartbreak too

Did that guy,

did he get to listen to it?

[Anna] So yeah actually he did, and he contacted me, and you know he apologized for the whole experience. And so you know we’re friends, you know, once in a while we’ll see each other but just friends. [Marc] His loss

[Anna] Actually yeah! [laughter]

[Marc] So what have you been up to since then? I heard you have some news.

[Anna] So I am so excited to let you know that just last month,

I was in a competition for Miss Montana for the Americas, and I won!. Oh my gosh, it was my first time! And the first time that there’s been a Deaf woman, representing the state!

And so I think the first time going to be doing some kind of appearance is going to be in November of this year. And hoping that I can give speeches like in schools and different communities, and and really inspire people and empower — yeah so yeah. Montana’s

just my home and I am excited to represent it.

[Marc] That’s awesome.

So when is the pageant itself?

[Anna] So in October, sometime I’m going to be competing on the national level.

And I think next month I’ll get more information. But I’ll keep you updated! It’s on my Facebook page!

[Marc] Anna won the Miss Congeniality award during the Miss America Pageant. Ultimately, the crown went to Miss Virginia,

Camille Schrier.

[Anna] I know when I was in the pageant previously, I was given the award for Miss Congeniality.

You know we could always have more people around it, just everybody go together.

And I want to say, just thank you so much to my, my two directors they have been so nice and respectful, and professional and working with me and we all work together, so it’s been such a great support system.

[Marc] So, so proud of you. That’s amazing. Thank you so much for

letting us know about that.

[Anna] Thank you. You’re welcome.

[Marc] And so the next time you tell a story at Tell Us Something you’ll be Miss America, is that right?

[Anna] [laughter] Maybe! Is there anything else that you want listeners to know before we play their story, your story for them.

[Marc] Is there anything else that you want listeners to know before we play your story for them?

[Anna] So I think it’s important for people know, I wanted to share–

You know, with this coronavirus that’s happening, It’s been really hard for Deaf and Hard of Hearing to be able to communicate because of the mask requirement.

It covers most of your face.

So what’s been really cool is that there’s these masks with a clear window, that the Deaf and Hard of Hearing people use, I have a friend that actually makes them.

Emily, she’s from Washington State.

And there’s also a place of Darby here in Montana. And they worked really hard to provide the community with a way to be able to provide access for the Deaf and Hard of Hearing community.

I know it’s hard like if you’re trying to communicate someone needs to read your lips, you have to remove your mask so for just for the Deaf and Hard of Hearing people also it’s hard to communicate.

If they rely on reading lips. So, these masks are incredibly helpful. So that’s that’s a good idea.

[Marc] And, can you provide us a link to where we can order those masks?

[Anna] Oh absolutely, I’d be happy to give you that information for the contact.

[Marc] Great. Thank you so much.

[Anna] You’re welcome.

[Marc] And I don’t have any other questions. Is there anything else that you want to talk about?

[Anna] Oh, wow.

I don’t know! Let me see.

I could ask you about your experiences with your business. Maybe what do you think about inviting more Deaf people to tell stories?

[Marc] I mean, I’ve always wanted to do that, I don’t know how to encourage them. Do you have any advice on how I can be more inclusive?

[Anna] Good question.

So there’s a Deaf school in Montana that we could contact, and see if there’s anyone who will come and tell stories.

And they have interpreters there that we could put on video if we do do it remotely.

There’s always different access ways. And there’s —

I’d be happy to also myself just contact my Deaf and hard of Hearing friends and try to get them up here on stage to tell a story. I mean if I can do it, I think anyone can.

And I want to thank Bonnie, my interpreter and also Denise for interpreting. I know it’s hard to get interpreters for all the stories and all of your events and I know it can be frustrating and captioning is really frustrating and hard to get to look

just right. But the interpreting and the captioning is really important for people who aren’t completely Deaf but also hard of Hearing, and they can’t catch all the words.

So part of what I want to do is just help bridge communication gaps, and, um–

People, I know, are always fascinated with sign language, and they’re always watching the interpreter, which is great!

Like my best friend Erica, she got fascinated with sign language. And now she’s going into an interpreter program in Oregon to become an interpreter. So I’m so excited to see how she develops and I know when she’s done I’ll definitely be hiring her too!l

[Marc] Well, I can tell you this, that, I have a friend you this that I have a friend that knows ASL but she’s not an interpreter.

And, even before I started bringing Bonnie and Denise on to help interpret,

I didn’t know that I needed to bring on certified interpreters.

And so, I was asking other people to do it, and they kept telling me “no”. But they didn’t tell me why.

And so I’d been working on getting interpreters, interpret the stories for a couple years, before

I finally talked to Bonni–er, Denise, excuse me. And I asked her, like, what why aren’t, why isn’t anybody saying “yes” to this? And she explained

The requirement for certification.

And so then, finally,

We developed this relationship. And, here we are.

[Anna] And it’s great that you’re more comfortable, you know, having the interpreters there, and just having them be a part of the whole thing, and….

I know, communication is so important. And I know people don’t always understand that sign language is a foriegn language.

[Marc] Right.

[Anna] And that writing back and forth with people is ok,

But because it’s foreign language, that can be difficult. So using a certified interpreter, who knows ASL, it’s just so important to match communication styles.

With this pandemic. It’s changed so much. There’s so many emotions that people are experiencing, having to realize, you know, what can happen with the pandemic. It’s really difficult.

I know that we’re not alone with our struggles in communication and everything else and–you know, I know eventually, maybe, COVID will be gone. It could be years, it could be five minutes, I don’t know.

You can only try your best, you know, and like I always tease my friends, my family.

You know, like right now we’re sitting six feet away.

And sometimes, you know, I sign larger, and then, say, we’re not six feet away [laughter] and I say, “Oh, excuse me! That’s too close!” So.[laughter]

Yeah.

[Marc] Well, thank you so much, Anna, for being here today. And… uh oh….

[Anna] You’re welcome. And thank you for allowing me, you know, giving me the honor to do this little interview.

[Marc] Yeah,

[Anna] It makes me

[Marc] I appreciate you being here.

[Anna] proud.

[Marc] Thank you.

[Anna] You’re welcome. Thanks.

[Marc] After the break, watch and share her story, live on stage, and she shared it in front of a sold out crowd at the Wilma in Missoula, Montana. In September of 2019.

Thanks again to our Title Sponsor The Good Food Store, learn more at goodfoodstore.com.

Thanks to our Enduring Sponsors, cabinteparts.com, and Blackfoot Communications. Learn more at blackfoot.com.

Special thanks to True Food Missoula. You can find them at truefoodcsa.com. And Joyce of Tile, you can find Joyce at joyceof tile.com.

Anna Haslund loves the community with her kindness. Loves to help the community with her kindness.

She is the one who breaks the barrier and and can do the impossible.

Watch out for her crazy skill with yaassss kicks!

Her nickname is Anna Banana.

Note, that Anna is Deaf, and her story will be voiced by Bonnie Kurian.

The way to clap for Deaf people is to wave your hands like this. [clapping in ASL]

So, after her story is finished, the house lights will come up, and we can all show our love for Anna together.

Please welcome Anna Haslund.

[clapping]

[laughter]

>>About four years ago.

Me and my best friend Erica were in Frenchtown at an organization called Heart, which is an equine recreation and therapy organization.

We were volunteering with those horses.

Erica asked me if I wanted to go up to Flathead to pick up four new horses for this therapy ranch. And I was so excited, I said, “Of course I do”.

So it was me and Erica, and her half sister, Selena.

We met the owner up there at this other ranch.

And he said, “Go ahead and pick your horse.” So I looked at all the horses, and I saw this beautiful perfect horse. He was huge. Brown and flowing mane.

And I felt a little nervous though. I knew it was important that we had to be able to trust each other.

So I offered him my hand and he sniffed my hand and let me pet his nose. And I asked the owner, I said, “What is this horse’s name?” He said, “Oh the horse’s name is Joe.”

And I said, “Well, that’s really funny. My mom’s name is Joe [laughter] so, apparently this is meant to be. This is a good connection.”

So I got on the horse. We’re riding along. And the way most people communicate with a horse is they make a clicking sound, well I can’t click, so I decided to make a kissing sound instead. [laughter] it worked great.

It worked great. He liked it.

[laughter]

So a few months later, Erica and I decided that we wanted to take these horses out on a trail ride.

And there were four of us. Again, it was Erica.

Selena, she was about seven at the time,

And the ex-wife of the owner. I’m not sure how she got in the group but.

[laughter]

So we’re riding along. We keep going.

We’re on this forest service road. Was a nice big road. Perfect for four people, four horses.

So we’re all riding along. We go on up a few miles, we were just going to go up and turn around and come back.

Everything was going on great.

And of course I was on the lead horse, which is ridiculous, because I’m Deaf!

[laughter]

But, here I go. About 10-15 minutes, I started feeling in my gut like, “Something’s not quite right.” I turned around and oh my gosh, Erica is waiting frantically!

And I knew quickly, that something had to be wrong. So I’m trying to kiss at my horse again to get him to stop.

I turn, we turn around and we see that the ex-wife was on one of the meanest horses. She yanked on the reins and he kicked her right off. And she actually broke her leg.

So I look over at Erica.

And we see Selena. It’s her first time on a horse. Now she is scared to death. She’s screaming hysterically. And we knew that we needed to calm her down so that her horse didn’t get scared and buck her off.

So trying to keep her calm. We don’t want her to scare the horse.

And now we are trying to figure out, “What are we going to do now?”

How are we going to get four horses down?

And oddly enough, these two men come walking up the forest service road. We thought, “Well this is perfect timing.” And they asked if they could help. We said, “Uh, yeah, that’d be great!”

[laughter]

So we said, “How are you going to help?” “So we have a truck right over here.” So they were able to pick up the ex-wife and put her in the truck. Helped her out.

We said, “Bye.”

[laughter]

So then Erica takes me to the other horse, and she brings me the reins to guide the other horse down the trail and the reins slipped out of my hand. And the horse.

He just kept trotting along like nothing was going on. And I thought, “Oh great! Now we have a runaway horse!” So I have to get next to this horse. I’m riding my horse. I’m trying to use my horse to guide the other horse, so that I could grab the reins.

And while we were going down the Forest Service road, it was really curvy. We finally get to a flat spot.

I look at my horse, I look at the other horse, and I have this incredible plan. I know it’s a little crazy, but it’s a great plan.

So I’m talking to Joe, and I’m saying, “Stay here. I have faith in you. Do not take off on me. Just stay with me.” So I go over sidesaddle, and Erica is looking at me. She knows exactly what I’m going to do. [screaming] She tries to tell me not to.

 

I jump off a Joe. I scream, I land. I kind of felt like, Zorro, actually. [laughter] I jump over.

I land on this horse, this mean one. His name is Balthazar.

[laughter]

 

And I feel, “This is incredible! I really should be in a movie! This was amazing! I should be a stunt person.”

So I grabbed the reins. I pull him back.

Everybody’s absolutely shocked. Erica says, “You are insane! What the hell do you think you’re doing?!”

I said, “Well, I actually can’t believe I did that myself! [laughter] But, look, everything’s everything’s great now there’s no more problems.”

[small laughter]

So the ex-wife was taken to the hospital. Yes, she broke her leg.

Selena got over her fear of the horses, and she’s fine.

And Erica and I are still best friends, thank God. Now we have a story we can tell our grandchildren for years to come. What crazy risk takers we are.

[laughter]

[large applause and clapping]

For a video of Anna and her friend Erica, visit tellsssomething.org. If you want to support what we do, recommend the Tell Us Something podcast, to just two people who have never heard it before, and rate us on your favorite podcasting app, it really helps get the word out.

Please, plan on donating to Tell Us Something during Misosula Gives May 6th and 7th. Learn more at missoulagives.org.

If you ever want to drop me a line, you can find me ar marc@tellussomething.org, that Marc, M-A-R-C @tellussomething.org.

Thanks to our in-kind sponsors, Logjam Presents. Learn more about them out at logjampresents.com

Thanks to Missoula Broadcasting Company. Learn more at missoulabroadcasting.com

Float Missoula. Learn more at floatmsla.com.

GeckoDesigns.com

Missoulaevents.net, makers of Cheddarboard.

Podcast production by me, Marc Moss.

To learn more about Tell Us Something, visit tellussomething.org.

Stay safe, take care of yourselves, take care of each other, get vaccinated, and have a story-worthy day.

This week on the podcast we hear from storytellers of a corporate Tell Us Something storytelling workshop that I hosted for MEDA - Montana Economic Developers Association. Join these four storytellers for stories of work, and the importance of taking an active role in your local community through your vocation.

Transcript : Live Storytelling with Corporate Workshop participants MEDA

00:00
welcome to the telesumming podcast i’m
00:01
mark moss they had just been
00:04
shafted by the company that had bought
00:06
their company
00:07
so i was buying them their beer
00:10
ironically
00:11
in a couple of years they would develop
00:13
a fully automated
00:14
company that without employees doing
00:16
about four and a half million dollars a
00:18
year in sales
00:20
today we feature four storytellers who
00:22
worked hard during a tele-something
00:24
corporate storytelling week-long
00:26
workshop
00:27
members of the montana economic
00:29
developers association
00:30
or media shared their true personal
00:33
stories from their homes and offices
00:35
during a corporate workshop hosted by
00:37
tell us something
00:38
the storytelling workshop helped people
00:40
harness the power of personal
00:42
storytelling
00:43
to talk about the work that they do
00:45
every day
00:46
why is that work important to them why
00:49
that work is important to those that
00:51
they serve and why that work is
00:52
important to the communities where they
00:54
live
00:54
and work across the state of montana
00:58
big thanks to our title sponsor the good
01:00
food store and thanks to our enduring
01:02
sponsors cabinetparts.com and blackfoot
01:04
communications
01:05
special thanks to our champion sponsor
01:06
truefood missoula and huge thanks to our
01:09
blue ribbon sponsor
01:10
joyce of tile the media members who are
01:14
sharing our stories with you today
01:15
know that it is with our stories that we
01:18
can reach people
01:19
with our mission they left the graphs
01:22
and pie charts at the office
01:24
they saved the data points for later our
01:27
storytellers today
01:28
used their true personal stories to
01:30
share the story of the important work
01:32
that they do
01:33
in communities across montana around 20
01:35
or so media members
01:37
joined me every day for a week during
01:40
our two hours every day
01:41
i taught them what i know about
01:43
storytelling we talked about techniques
01:45
and structure and helped each other
01:47
develop and improve our stories
01:49
i tailored the workshop specifically for
01:52
the media members
01:53
today four of those workshop
01:55
participants will share their stories
01:56
with you
01:57
we did the workshop over zoom and a
02:00
couple times there were
02:01
internet connectivity issues so you’ll
02:03
hear some of the participants drop out
02:05
a few times usually a telesumming event
02:09
is focused on a theme
02:11
we hadn’t discussed a theme for these
02:13
stories but listening to them
02:15
a theme emerged we can say that the
02:17
theme is
02:18
why am i here or why i do this call it
02:22
passion
02:23
whatever you call it you’ll see these
02:25
storytellers are personally bonded to
02:27
the work that they do
02:28
and that their passion really comes
02:30
through in the stories that they share
02:32
our first storyteller is gloria o’rourke
02:35
gloria
02:36
has been a meta member since 1995 and
02:39
self-employed since 2003.
02:41
she and her business partner mike share
02:44
an office and have been married for 44
02:46
years
02:47
mike and gloria enjoy spoiling their
02:49
four grandsons and then returning them
02:51
with sugar highs
02:52
to their parents we call gloria’s story
02:55
my desk do you know
02:59
how many sticky notes are in a pack
03:04
we all use them but do you know there
03:07
are 100
03:08
sticky notes in a pack i go through
03:12
about a pack a week
03:15
why i’m self-employed
03:19
that means i’m my own boss right
03:23
wrong i have a contract and i work for
03:26
meda
03:27
which stands for montana economic
03:29
developers association
03:32
meda has a membership of about as of
03:34
this morning
03:35
253 people and that means
03:40
i have 253 bosses
03:43
so at my desk here at my desk i like to
03:46
think of myself as the communication hub
03:49
maybe a federal partner or a state
03:51
partner has an urgent program
03:53
update and they’ll send it to me gloria
03:54
can you shoot this out and
03:56
or maybe a media member will send me
03:58
something saying hey we’re
04:00
putting on a training or oh we have this
04:02
to offer small businesses
04:04
would you shoot it out so i send it out
04:06
or maybe i’ll get a phone call
04:08
and it’s a business person saying i’m
04:10
trying to start a business in bozeman do
04:12
you know who i should contact
04:14
and so i look at myself as kind of the
04:18
communication hub
04:19
things come in i send them out right
04:22
but i’m not always at my desk one of my
04:25
favorite things to do
04:27
is what’s called immediate community
04:29
review
04:30
um once how it works is a community will
04:33
invite me to in
04:35
and i’ll first start with a small team
04:37
of maybe just three or four of us and
04:39
what we do
04:40
is we listen we listen to a community
04:43
for
04:43
hours we listen to them share about
04:46
what’s important to them
04:47
what problems they’re having what
04:49
challenges they’re having
04:51
and we summarize everything that we
04:54
heard from these hours and hours of
04:56
listening
04:57
then we go back to our desks and i start
05:00
tapping the shoulders of some of those
05:03
253 bosses
05:04
and they say hey i’m this this town
05:07
needs help with small business finance
05:09
or this
05:10
town needs help restoring a historic
05:12
building or
05:13
this town needs help with manufacturing
05:15
or this town is looking for a co-op
05:17
for a store so then we work together
05:21
to help that community take action on
05:24
their action plans
05:26
a perfect example of this is the
05:28
community of lockwood
05:30
several years ago big sky economic
05:32
development
05:33
and beartooth rcnd invited a small meta
05:37
team to come in
05:38
and listen to lockwood and so we
05:40
listened
05:42
and we listened and we heard three main
05:45
pretty heavy burdens the community of
05:47
lockwood had
05:48
um one was they felt like they were the
05:51
ugly stepchild
05:52
of yellowstone county they felt their
05:54
voice was not heard
05:56
another one was they realized they had a
05:59
large dropout rate
06:00
that they had these kids that grew up in
06:03
lockwood went to school in lockwood and
06:05
then suddenly
06:06
it was time to go to high school and
06:07
they were shuttled to different schools
06:09
in the big city
06:11
the third major problem they wanted to
06:15
address and it was quite tragic
06:17
was they had several deaths in their
06:20
community
06:21
because people had been killed there was
06:23
no
06:24
safe streets no safe sidewalk no good
06:27
lighting
06:28
for the people to walk on and so
06:31
the team after we listened we came back
06:34
to our desk we tapped shoulders of those
06:37
253
06:39
media members we worked again with big
06:42
sky eda and beartooth and we held a huge
06:44
town hall meeting
06:47
and as a result of that our
06:50
our media members bringing their
06:52
expertise to the table and
06:53
local people of lockwood stepping up
06:56
i’ll never forget this young dad stepped
06:58
up
06:58
and he said i want my boys to be safe
07:01
when they walk to school
07:03
so the people of lockwood came together
07:05
and
07:06
they really went to work on their action
07:08
items so
07:09
a few months ago we were back to
07:12
lockwood and we wanted to hear what
07:13
happened
07:14
and what we learned is lockwood has
07:17
incredible momentum
07:18
now they no longer feel like the ugly
07:20
stepchild
07:22
they through working through legislators
07:25
they change state law so that they now
07:28
had the right to vote onto whether or
07:31
not to build a high school in lockwood
07:33
and they now have their own high school
07:36
and
07:36
best of all they were the first
07:38
community to pass a levy
07:40
to pay for sidewalks and streetlights
07:43
and so this huge momentum monumental
07:46
shift has happened in lockwood
07:48
so back at my desk with my
07:52
my oceans of sticky notes
07:55
i’ve realized something and that is that
07:58
there is no self
08:00
in self-employed i can’t do it on my own
08:04
and i like to think you can’t do it as
08:07
well
08:07
without me and so working together with
08:11
my 253 bosses who really aren’t bosses
08:14
you are really my partners
08:16
working together we are making a
08:18
difference in our communities
08:20
and building a great place in montana
08:23
for people to work
08:24
play and live thanks gloria
08:28
to learn more about the montana economic
08:30
developers association
08:31
visit medamembers.org
08:36
our next storyteller is a world traveler
08:38
from a small town heather mccartney is a
08:41
fifth
08:41
generation montanan she works as an
08:44
outreach and consumer education
08:46
specialist
08:47
with the non-profit child care resource
08:49
and referral agency
08:51
family connections her passions include
08:54
hunting for a good decaf
08:56
long reads and connecting people to
08:58
great resources
08:59
she lives in shoto montana with her
09:01
conservation officer husband
09:03
her artistic and whimsical daughter five
09:06
freeloading chickens
09:07
three cats and a dog named bear green is
09:10
her favorite color
09:12
we call heather’s story family
09:14
connections
09:15
i am driving down 89. the sun crests the
09:18
eastern horizon
09:20
and the light is blinding so i pull my
09:22
visor down push it to the side
09:24
no need to start a migraine this early
09:26
in the day
09:28
light flickers off the refuge waters as
09:30
i look in my rear view mirror
09:32
my little passenger looks dreamily out
09:34
her window
09:36
look mama i see a dragon maybe a dog
09:40
i follow her gaze into the puffy clouds
09:43
uh-huh i see what you see i also see a
09:46
blue heron fishing
09:48
over there do you see it yes and
09:50
pelicans too
09:53
she explains her head back i’m tired
09:56
mama
09:57
she murmurs me too sweetheart
10:00
why don’t you pull your pillow over to
10:02
the door and have a little nap
10:04
she settles herself against the seat
10:06
ponytail flopping over as she leans into
10:08
her pillow
10:09
and pulls up her blanket
10:13
i count myself fortunate to live here on
10:15
the crown of the continent
10:16
our little bungalow sits in a tree-lying
10:18
town in the shadow of the rocky
10:20
mountains
10:21
the backbone of the world the
10:24
front actually known as a cornucopia of
10:26
flora and fauna
10:28
on a given day you’ll see silver-tipped
10:30
grizzly bears
10:31
grazing on black choke cherries next to
10:34
freshly moan hay fields
10:36
next to mountain streams that water an
10:39
otherwise arid plain
10:41
in the town of shoto the deer regularly
10:44
grazed down my sunflowers
10:46
and the elk bugle at the city limits
10:49
neighborhood children play from house to
10:51
house the schools are top notch
10:53
and as garrison keillor would say all
10:55
the kids are above average
10:59
60 miles later i pull into a quiet
11:00
neighborhood
11:02
slowing to go over a speed bump i see a
11:04
lively elementary school around the
11:06
corner
11:07
and gaze wistfully at a for sale sign on
11:10
a modest home
11:12
i stop as claire gathers her backpack
11:14
and hops out
11:16
i meet her on the other side of car we
11:19
kiss through our masks
11:20
love you mama love you too zugs i say as
11:23
i squeeze her in a hug
11:25
i climb back into the car and stare at
11:27
her back
11:28
and she heads into someone else’s
11:30
capable hands
11:33
15 minutes later i pull into the parking
11:35
lot in my company designated space
11:38
as i turn off the engine i feel the heat
11:39
of the day coming on
11:41
i hate my commute i hate all the hours
11:44
lost to transition when i’d rather be
11:46
relaxing
11:47
catching up with friends heck even doing
11:50
chores
11:51
anything but sitting in a car my back
11:53
and legs getting tight
11:55
i hate that clara strapped to a seat
11:57
belt for those same hours rather than
11:59
running with the sun on her hair or
12:01
climbing into a treehouse to exchange
12:03
secrets with friends
12:05
i especially hate that because my
12:06
commute to child care is so far
12:08
and high quality care is so expensive
12:11
that i will have nothing to show for my
12:13
eight hour day plus
12:14
two and a half hours of travel my entire
12:16
paycheck will have been cashed into
12:18
making sure my daughter
12:19
has great care and learning while i work
12:23
yet i’m doing exactly what i love
12:25
i’m an influencer for positive change
12:28
change
12:29
i deeply gratified helping people solve
12:30
problems and communities rally around
12:32
solutions
12:34
like you there really isn’t much i
12:35
wouldn’t do or haven’t done to help
12:37
these good developments along
12:39
i mean you know the drill cups of coffee
12:42
at community tables
12:44
op-eds to regional papers sitting on
12:46
boards
12:47
volunteering for anything on a saturday
12:49
and then biting your tongue as a group
12:51
moves in a different direction
12:53
leaving your hard work in the dust like
12:55
beer cans after a rodeo
12:58
but this this depleting of my personal
13:01
resources to care for my child
13:03
so that i can help other families and
13:05
communities care for their children
13:07
this is pulling at me like attention
13:09
wire fascinating me to two worlds
13:11
professional and personal sitting here
13:14
in the august heat reminds me of the
13:16
pressure cooker i’m in
13:17
i desperately want claire to have a
13:18
carefree childhood full of rich
13:20
experiences
13:21
and i’m also eager to work to help solve
13:23
montana’s child care crisis
13:26
i’m educated and employed and i’m at
13:28
risk of leaving the workforce
13:30
i live in a childcare desert and i am
13:33
digging wells for other communities and
13:35
their child care oasis
13:37
last night’s call from a panic provider
13:39
wondering how she’ll finance next
13:41
month’s expenses haunts me
13:43
families are desperate for child care so
13:45
they can work uninterrupted
13:46
yet with pandemic variables many have
13:48
pulled the kids home
13:50
taking precious cash flow with them if
13:52
she can’t put together financing
13:54
she’ll join the 10 that have closed
13:56
their doors this year
13:57
adding to the already 40 shortage we had
14:01
in the state
14:02
last week’s blowback from a county
14:04
commissioner’s meeting asking them to
14:06
allocate funds to develop child care
14:08
that had me ready to quit hot tears
14:11
stream down my face why don’t people
14:12
want to support families
14:14
would they rather not have staffing at
14:15
hospitals kids in schools
14:17
volunteers or even talk tax dollars
14:20
towards infrastructure
14:22
what the hell am i doing fighting for
14:24
others that they may enjoy
14:26
high quality affordable and available
14:27
child care for
14:29
which i’m not attained for myself this
14:32
is fraying the very fiber of my being
14:37
i am driving down 89 as starlight
14:39
illuminates the last of the night
14:41
grazers
14:42
my view is framed by oncoming headlights
14:45
in the highways
14:46
still slumbering at home clara dreams of
14:48
her day at school
14:49
full of friends and learning her dad and
14:51
dog will walk her down the idyllic fall
14:53
boulevard
14:54
kicking leaves and stopping to pick up
14:56
her favorite rocks
14:57
and what am i doing like you i’m going
15:01
to work
15:03
thanks heather to learn more about
15:05
family connections visit
15:08
familyconnectionsmt.org
15:11
russ fletcher is an old retired guy who
15:13
escaped from san francisco
15:14
25 years ago to live in missoula with
15:17
his retired attorney wife
15:18
alexis they have two children his son
15:21
lives in san francisco and works for
15:23
google his daughter has
15:25
come home to missoula from l.a and works
15:27
for hulu
15:28
russ spends a lot of his day looking at
15:31
a computer screen
15:32
drinking coffee and pondering the future
15:34
of montana
15:35
russ calls his story how i found my last
15:38
best job in a missoula dive bar it was a
15:41
dark and stormy night 20 years ago
15:44
there was a waiter listlessly clearing
15:46
dishes from the table where
15:48
the 10 or so people that i invited to
15:51
dinner
15:52
had finished eating our greasy burgers
15:54
and drinking bud light
15:56
i’d invited them there to ask a single
15:58
question
15:59
something that i’d found since i’d moved
16:00
from silicon valley it was what the
16:02
prison sheriff on cool hand luke stated
16:04
when they dragged paul newman back
16:06
from an escape attempt what we’ve got
16:09
here
16:09
is a failure to communicate why didn’t
16:13
montana communicate
16:14
we did in san francisco it was just me
16:17
and
16:18
and we’ll call them bud and lou we’re
16:20
left drinking our last can of bud
16:23
there probably was a wet dog laying by
16:25
that back door
16:27
they had just been shafted by the
16:30
company that had bought their company
16:32
so i was buying them their beer
16:34
ironically
16:36
in a couple of years they would develop
16:37
a fully automated
16:39
company that without employees doing
16:41
about four and a half million dollars a
16:43
year in sales
16:45
they would put a phone in their little
16:47
tiny office on higgins
16:50
that would go to the phone tree of all
16:51
the services
16:53
and bud had to go in occasionally to
16:55
sign checks
16:56
and sometimes he’d like to pick up the
16:57
phone so one day he’s in there and the
17:00
phone rings he picks it up and he hears
17:02
hi
17:03
my name is susan smith and i’m from and
17:05
let’s call it giganto corporation
17:08
he immediately slammed down the phone it
17:10
rang again
17:12
hi my name is susan smith and i’m from
17:14
gigento
17:15
he so calmly said thanks susan we’ve
17:18
already got all the computers we need
17:20
and he hung up the phone the phone rang
17:23
again immediately and he picked it up
17:24
now he heard in a rush
17:26
hi my name is susan smith i’m with
17:28
digento and we want to buy your company
17:32
time they got better attorneys and sold
17:34
it from mid-eight figures
17:36
now back to that uh back room with those
17:39
soon-to-be multi-millionaires
17:41
we’d had a few beers and we’re getting
17:43
down to the nitty-gritty
17:44
we’d all come from techy backgrounds in
17:46
silicon valley
17:48
and in that in that environment i had
17:51
always told my employees
17:52
please get out of the office at least an
17:55
hour a day
17:56
you have to get out you can’t just sit
17:58
in your office you’ve got to see what’s
18:00
going on
18:00
who are new competitors who might we
18:02
collaborate with
18:04
what’s the new technology i also had
18:07
told them that if they were over 45
18:09
i wanted them to find a 25 to 30 year
18:12
old
18:13
mentee not a men excuse me a mentor not
18:16
a mentee
18:18
someone who they could work with someone
18:20
who they could teach
18:21
who could teach them about what tensions
18:22
and technology were happening
18:24
they had to realize that it was they
18:26
were not the future
18:28
it were the it was the younger people
18:30
it’s all
18:31
and still is all about networking the
18:34
three of us lamented the fact that
18:35
missoula
18:36
wasn’t talking to bozeman wasn’t talking
18:38
to billings
18:39
wasn’t talking to great falls etc it
18:41
seemed like they all thought each other
18:43
was competing
18:44
it was the same for montana’s companies
18:46
they weren’t talking with each other
18:48
to see whether it might be collaboration
18:50
um
18:51
it wasn’t it wasn’t montana it was the
18:54
world how could i address this
18:56
they both looked at me in very calm
19:00
and humorous gazes said why don’t you
19:03
just build a website
19:05
i was running a company at the time but
19:07
i said hey let’s give it a shot
19:09
so i knew two guys they were brilliant
19:11
techies john and steve they founded mod
19:13
west
19:13
which was an incredibly successful isp
19:16
with i think clients in 56 countries
19:18
they agreed to build a website that
19:21
would become the montana associated
19:23
technology roundtable
19:24
matter because the economy does matter
19:28
i’ll never be able to thank them enough
19:31
john’s now
19:31
in uh truth or consequences new mexico
19:34
running a brew pub
19:35
so there is the career after technology
19:39
the site started modestly i started
19:41
holding monthly roundtables which i’d
19:42
done in silicon valley
19:44
people would get together we’d have a
19:45
topic or a panel
19:47
and people would just talk and they
19:49
seemed to be really
19:50
wanting to to get can get communicating
19:54
with each other
19:54
learn what was going on i really felt
19:57
great about these roundtables they were
19:58
a lot of work
20:00
but i enjoyed them we had one that i
20:03
think i’ll always remember
20:04
the t1 lines was taking 13 14 weeks to
20:07
get one installed for a new company
20:09
this was just you know inconceivable so
20:12
i said let’s have a round table
20:13
i got a call from senator baucus’s
20:15
office he said he would like to come and
20:17
speak because he’d heard about this
20:18
problem too when he arrived he
20:20
apologized he said russ sorry i can only
20:22
stay a few minutes after i give my
20:24
little speech
20:25
he ended up staying for over an hour as
20:28
he listened to the challenges
20:29
of the business community i would like
20:31
to think that this event had an impact
20:33
on him as he announced his first state
20:35
economic summit a few weeks later
20:37
matters all free
20:38
as you all know i rely on the huge
20:41
personal satisfaction i get from doing
20:43
matter
20:43
not the funding it generates it’s
20:45
certainly not the 34 cents an hour i
20:47
calculated i earned sitting on my butt
20:49
and answering the phone
20:51
while supporters and sponsors are
20:53
greatly appreciated
20:54
i’ve never focused on monetizing it in
20:56
spite of my wife’s concern
20:58
and frequent recommendations that you
21:00
should be charging for that
21:02
to me it’s all about montana an example
21:05
was a ceo i was talking to
21:07
he was having a hard time finding a
21:08
company to collaborate with they needed
21:10
some technology skills
21:12
i asked him have you walked across the
21:14
street he did
21:16
he found the company that fit his needs
21:18
that company didn’t have a sign on the
21:20
door
21:21
they competed for the contract they
21:22
didn’t get it but it really showed to me
21:24
the fact that we really needed to get
21:26
out of the office and talk to
21:27
our neighbors it’s been about 20 years
21:31
of updating the site
21:32
i produced three newsletters a week i
21:34
talked to thousands of wonderful people
21:37
and i have to thank montana and media
21:40
for helping me enjoy the best last job
21:42
i’ve ever had
21:44
i hope that if you haven’t already maybe
21:47
someday
21:48
in some dark back room of a dive bar you
21:50
can find your
21:51
dream job as i did maybe it just takes
21:55
communicating with the right people like
21:57
bud
21:58
and lou and john and steve and everybody
22:01
at mita
22:02
thanks russ to learn more about russ’s
22:04
passion project
22:05
montana associated technology
22:07
roundtables visit
22:09
matr.net teresa shriner is the
22:12
investment director
22:13
at the great falls development authority
22:15
she’s a former
22:16
butte rat who teases that she came
22:18
kicking and screaming to great falls
22:20
with her husband
22:21
although loves to sell folks on the
22:23
electric city teresa
22:24
just celebrated 10 years with her larger
22:26
than life husband casey
22:28
who equally challenges her efforts
22:31
together they have three scrappy and
22:33
smart little boys
22:34
that love to give them a run for their
22:36
money adam liam and finn
22:38
teresa calls her story nose down ass up
22:42
my dad has a small business in butte
22:44
it’s a dental practice
22:45
although i probably wouldn’t call it
22:46
small because as far as i remember it’s
22:48
been
22:49
probably the biggest practice see so my
22:52
dad’s practice let me tell you a little
22:53
bit about it
22:55
it is the practice that as far as i
22:57
remember we always had
22:59
the phone number listed from our house
23:01
in the white pages if you guys remember
23:02
the white pages
23:04
it’s the one because my dad remembers
23:06
what it’s like having a toothache
23:07
growing
23:08
up so he would always allow people to
23:09
call her home day and night
23:11
going to be ringing off the hook he’s
23:13
always the one that takes referrals from
23:15
the police department the er
23:17
any clinic indian health things like
23:19
that nature so he sees folks of
23:21
every stripe he’s also not a formal guy
23:25
just like his practice he’s unassuming
23:28
humble and larger than life
23:30
so people never call him doctor it’s not
23:32
even dr mike
23:33
he’s always been known by his high
23:35
school nickname beets
23:38
and my dad would always get home later
23:41
than
23:41
probably scheduled or he ever wanted to
23:43
be and
23:44
later than anticipated but he would pick
23:47
the four of us up
23:48
when he got off work he’d come rumbling
23:50
down the dirt road in this old beater of
23:52
a pickup truck and he’d lay on the horn
23:55
it was the signal for the four of us to
23:57
pile into this pickup truck
23:59
and go clean the office so we get in the
24:02
truck
24:03
we’d turn around and he’d head on back
24:05
to the office
24:06
he wouldn’t stay though because he would
24:08
just be dropping us off and he’d head
24:10
to doc’s place doc was his dad he’d
24:13
probably go have a beer and they’d
24:15
rattle off
24:16
war stories about some toothache that
24:18
day
24:19
and before we get out he turned to us
24:21
and he’d say
24:22
nose down kids ass up and i remember
24:25
thinking
24:25
that’s a strange way to clean because i
24:28
didn’t really know what it meant at the
24:29
time
24:30
but as i’d learn over the years he’d
24:32
tell us that all the time
24:34
it really meant nose to the grindstone
24:36
and do the hard work
24:38
now if any of you have kids grandkids or
24:40
even uh
24:41
you know nephews or nieces of your own
24:44
you probably know what it was like
24:46
when you would arrive back to a scene
24:48
leaving four rambunctious children
24:50
probably the oldest ten
24:52
uh to their own devices i don’t know
24:54
what my dad envisioned i don’t know if
24:56
he was picturing some sort of mary
24:57
poppins scene
24:58
leaving the four of us to clean the
25:00
office but really it was more like
25:02
something from one flew out of the
25:03
cuckoo’s nest
25:05
because what would happen my brothers
25:07
would haul out this really
25:08
large auric orange vacuum plug it in
25:12
and start it running then the two
25:14
brothers would start
25:16
i think negotiating who was going to
25:18
clean negotiating would escalate into
25:21
wrestling
25:22
wrestling would start yelling and then
25:24
somehow the two of them
25:25
would start deciding hey let’s have a
25:28
let’s have a water gun fight
25:30
so then they would go into the two
25:32
operatories or two of the operatories
25:34
they would take the dental squirt guns i
25:36
think you know what i’m talking about
25:38
and then they would start positioning
25:39
the squirt guns water would be splayed
25:41
out between operatory walls
25:44
my youngest sister would be lounged back
25:46
in a dental chair reading the latest
25:48
issue of highlights magazine
25:50
music would be blasting from the
25:52
laboratory usually it was doors my dad
25:54
was a big break on through album fan
25:56
and i remember myself really the
25:59
suffering middle child of it all
26:01
always the responsible one would be
26:03
clutched holding a broom or a mop
26:05
you know orphan annie style just
26:07
pleading with all of them
26:08
oh my god you guys help me he’s going to
26:10
be back soon
26:12
and he’d arrive probably about a half an
26:13
hour later to the scene
26:15
and even though everybody referred to my
26:18
dad as beats the four of us
26:19
affectionately called him beats a dead
26:20
horse
26:21
because he would follow us around the
26:23
office and he wouldn’t give in
26:26
he would just lecture us until we got it
26:27
done right
26:29
eventually we would learn that if we did
26:31
it right the first time
26:33
it would get done faster and the sooner
26:36
we actually got it done the sooner we
26:37
would be home
26:38
playing ninja turtles or street fighter
26:41
on our nintendo
26:43
now me being the suffering middle child
26:46
i
26:46
stayed with my dad on through college
26:48
and grad school and i worked with him
26:52
i remember throughout these years that i
26:54
was pretty embarrassed that we drove
26:56
these beater old trucks in all of these
26:57
old cars
26:59
and i asked my dad about it and i
27:01
learned that my dad because he takes
27:02
patients of all stripes
27:04
would tell me quite a few things in
27:06
addition to the nose down ass up
27:08
work ethic that my dad has he would tell
27:11
me more meaningful things too
27:13
he would often say that the
27:16
banker’s spouse takes care of the
27:18
widow’s heart condition
27:20
you see teresa beets would tell me that
27:23
a rising tide does lift all boats
27:26
it’s not about being the richest man in
27:27
the cemetery
27:29
after all you don’t see a hearse hauling
27:31
a u-haul
27:32
which is why he takes care of everybody
27:34
that he does
27:36
so my dad instilled in me this work
27:38
ethic but he also taught me
27:40
in this nose-down ass up attitude
27:43
that we’d better leave this place better
27:45
than we found it and my dad also taught
27:48
me that
27:49
throughout these years anytime i was
27:51
complaining about the social ills of the
27:53
world
27:54
i better be a part of the solution and
27:56
not the problem
27:57
so my dad’s diatribe continued to beat
27:59
through me like a drum
28:02
which matters because i think this is
28:04
why we are all doing what we do
28:07
and anytime i found myself progressing
28:09
throughout a career if i was unhappy
28:11
with it
28:12
i couldn’t go complain to my dad because
28:14
he would tell me
28:15
nose down ass up teresa go find the
28:18
solution
28:19
don’t be a part of the problem if you
28:22
find yourself being a part of the
28:23
problem
28:23
go find that solution so anytime i did
28:27
that i’d have to move up throughout this
28:29
progression
28:31
and i continued to ask myself what is
28:33
that man behind the curtain what is that
28:35
jack of all trades in the community
28:37
and i think we all know what it is it is
28:40
community development it is
28:41
economic development we are the end of
28:44
the yellow brick road
28:45
and now more than ever it is personal to
28:47
me
28:48
because about seven months ago my dad
28:50
actually called me
28:52
my dad who i have seen as this
28:55
true end of all being
28:58
called me at the beginning of the
28:59
shutdown
29:01
and he said i i don’t know what to do
29:04
i’m shut down
29:05
my dad hasn’t worked with a banker a
29:07
personal loan officer
29:09
since he’d opened his business he was
29:11
nearing retirement
29:14
and now my brother my younger brother
29:16
this man who i remember holding sport
29:18
guns
29:19
was looking at buying out his practice
29:22
but my brother had also seven hundred
29:23
thousand dollars in student loan debt
29:26
and had a baby on the way so
29:29
he didn’t know about the ppp loan he
29:31
didn’t know about the idle loan
29:32
wasn’t familiar with succession planning
29:35
he knew
29:36
what i did but didn’t know what i did
29:38
quite frankly
29:39
so because of the small business center
29:41
because of what we do as economic
29:43
developers
29:44
he’s been able to safely shut down he’s
29:47
been able to capitalize on ppp
29:49
loans and idle loans secure both of
29:51
those things
29:52
he’s been able to actually successfully
29:54
re-engineer his business and remodel his
29:56
business during the shutdown
29:58
and he’s been able to restore his
30:01
business
30:02
i can’t imagine what would happen
30:05
without my dad and my brother’s practice
30:08
in the community of butte so i want you
30:11
to remember that i want you to remember
30:12
the impact that we have
30:15
in the state of montana so i want to
30:18
leave by saying nose down people
30:20
ass up thanks teresa you can learn more
30:23
about the great falls development
30:24
authority by visiting
30:27
growgreatfallsmontana.org thank you all
30:29
for listening and supporting our
30:31
storytellers today
30:32
and thanks to all of the storytellers
30:34
gloria
30:35
heather russ and teresa if your
30:37
organization would like to learn how to
30:39
tell better stories
30:40
drop me a line at mark telesumming.org
30:43
that’s marc
30:45
tell us something dot org you can learn
30:47
more at
30:49
slash telesumming.org next week on the
30:52
teleslimming podcast we’ll hear from
30:53
nerma
30:54
dobre chanin a tell us something
30:56
storyteller who shared a story
30:57
in november of 2018 but
31:00
here there was nobody not even a car
31:04
to to go past i was thinking
31:07
what what is this resident evil or where
31:09
am i
31:12
i caught up with her last summer via
31:14
zoom to chat about her tell something
31:16
experience
31:17
and what it was like visiting the united
31:18
states from montenegro during her study
31:20
of the us
31:21
institute on secondary education through
31:23
the university of montana
31:25
tune in for that next week at
31:27
telesumming.org or
31:29
wherever you get your podcasts thanks
31:32
again to our title sponsor the good food
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33:13
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33:15
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33:20
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33:22
marc
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each other

Because storytelling is an art, I’ve always hired local artists to design a poster for each event. The posters of Tell Us Something are amazing in their own right, and I thought that it would be fun to sit down with some of the artists to chat about their process and see what makes them tick. What inspires them, how they work, and how they came to design the poster that they designed for Tell Us Something. So, this week on the podcast, join me as we go behind the scenes with local artist Courtney Blazon. Courtney designed the poster for the June 2019 show. The theme that night was “What Are the Chances?”

Transcript : Interview with Courtney Blazon

welcome to the tell something podcast

00:01
i’m mark moss i know what i’m doing but
00:04
if somebody wanted to know how do you
00:06
become an artist i’d be like
00:07
you just work hard since around july of
00:10
2020
00:11
i have been interviewing tell us
00:13
something storyteller alumni about their
00:15
experience sharing a story on the
00:16
telesumming stage
00:17
why they chose to share a story and what
00:20
they’ve been up to
00:21
since having shared their story i have a
00:23
lot more of those interviews to share
00:24
with you
00:25
this week though i’m going to introduce
00:27
you to one of tell something’s poster
00:29
artists
00:30
for me it was important for my life and
00:32
especially
00:33
important for my work that i had a
00:35
studio at home where i could shut the
00:37
door
00:38
where like at a certain time at the end
00:41
of the day
00:42
i’m not looking at that piece of work
00:43
anymore because storytelling is an art
00:46
i’ve always hired local artists
00:48
to design a poster for each event the
00:51
posters of tell us something
00:52
are amazing in their own right and i
00:55
thought that it would be
00:56
fun to sit down with some of the artists
00:59
to chat about their process
01:01
and see what makes them tick what
01:03
inspires them
01:04
how they work and how they came to
01:06
design the poster
01:07
that they designed for telesomething so
01:10
this week on the podcast join me
01:12
as we go behind the scenes with local
01:15
artist
01:15
courtney blazon courtney designed the
01:18
poster for the june 2019
01:20
show the theme was what are the chances
01:24
i kind of knew pretty quickly what i was
01:26
gonna do for it
01:28
and i usually settle on an idea pretty
01:32
quickly
01:33
and i don’t know if that’s just because
01:35
i’m generally like
01:37
this is the time i have allotted for
01:39
this you better snap to it
01:41
courtney blaizon is an artist and
01:43
illustrator living and working in
01:44
missoula montana
01:46
she graduated from parsons school of
01:48
design where she earned her bfa in
01:50
illustration
01:52
she’s shown her work in missoula at the
01:54
brink gallery
01:55
dana gallery allez gallery and the
01:58
missoula art museum
02:00
outside of montana she has shown work in
02:02
seattle portland
02:03
new york philadelphia san francisco and
02:06
most recently at the center for the arts
02:08
theater gallery in jackson wyoming
02:12
hello good morning hi how are you
02:16
um well how are you doing good thank you
02:20
good thanks for agreeing to talk to me
02:23
today
02:24
courtney’s work has been featured in new
02:26
american paintings the western edition
02:28
studio visit magazine and juxtapose.com
02:32
she is a past recipient of a montana
02:34
arts council artists
02:35
innovation award courtney is represented
02:38
by radius gallery in missoula montana
02:40
big thanks to our title sponsor the good
02:42
food store and thanks to our enduring
02:44
sponsors
02:45
cabinetparts.com and blackboard
02:47
communications
02:48
thanks to our champion sponsor trufood
02:50
missoula and a very special thanks to
02:52
our blue ribbon sponsor
02:53
joyce of tile courtney blaizon’s pen and
02:57
marker drawings reference
02:58
fields of science history cultural
03:01
studies myths and fairy tales
03:03
her images take us someplace between the
03:05
known world
03:06
and a dreamscape a surreal marriage of
03:09
naturalism and fantasy the results can
03:12
be simultaneously whimsical
03:14
and grotesque witty as well as
03:17
disturbing
03:18
the tension of these unions suggests our
03:20
own struggle
03:21
to achieve balance in a chaotic world i
03:24
caught up with courtney blaizon last
03:25
summer
03:26
we chatted about the historical context
03:28
much of her work references
03:30
life as a professional artist and some
03:32
of the large-scale works
03:34
that she has done recently before
03:36
finally talking about the poster that
03:37
she made for tell us something
03:39
in june of 2019 i’ve also been thinking
03:42
about these interviews as a record
03:45
of a specific time in our collective
03:46
pandemic history
03:48
they shared glimpses into the moments of
03:50
life during quarantine
03:51
how we were coping and how we are
03:53
somehow continuing to go about
03:55
our daily lives
04:00
i just moved to a new place so that was
04:04
really nice
04:05
yeah lots of very i mean different than
04:09
a normal summer
04:10
like yeah for sure yeah um
04:15
yeah like our maid fares aren’t
04:17
happening
04:18
this summer in the same way so that’s
04:22
weird
04:23
are you doing a online version of the
04:25
maid fair
04:27
i mean somewhat but we’re basically just
04:30
posting everybody who would have been in
04:32
the maid fairs
04:33
page and sort of letting them offer
04:36
discounts if they want
04:38
but we’re not doing anything like
04:40
virtual
04:41
with video or yeah i
04:44
i just i feel like that kind of bubble
04:49
where that was like at the beginning of
04:52
sort of quarantine
04:53
like there was a lot of live events and
04:55
i felt like they were really popular
04:57
and like really necessary and i feel
04:59
like now
05:00
now that it’s summer especially and
05:02
we’ve kind of gotten used to the
05:05
the whole thing like i don’t know that
05:07
we’d be able to capture an
05:09
audience in the middle of summer inside
05:13
you know like i feel like that was the
05:15
way that we are all connecting
05:17
at the beginning of this and i don’t
05:20
know if now people feel like they can
05:21
just be together outside
05:24
distance that it’s just like
05:27
oh yeah it’s interesting it just doesn’t
05:29
seem like
05:30
it didn’t it ended up not seeming worth
05:32
our time
05:33
and a lot of our major artists didn’t
05:35
want to
05:38
extend their time towards trying to do
05:41
something special so
05:44
summer in montana is pretty short
05:48
take advantage of it yeah especially now
05:51
because
05:53
who knows what the winter is going to
05:54
look like right yeah
05:56
exactly yeah we just want to be outside
05:59
and
05:59
doing stuff as much as possible right
06:03
yeah i know some of the art fairs around
06:05
the state have still
06:06
happened and that’s another thing we
06:09
struggled with
06:10
but we just felt pretty worried about
06:16
like if if an outbreak had been traced
06:18
to our event we would have felt
06:20
really irresponsible right and and we
06:23
wouldn’t
06:24
uh we’re not even in a phase where we
06:26
would have been able to allow that big
06:28
of a crowd anyway
06:29
with missoula county so yeah so we just
06:32
decided to be
06:34
preemptively just cancel it and then
06:37
hope that we can recoup with
06:39
some of the other events that we have
06:43
i’m lucky that i don’t have all my eggs
06:44
in that basket though
06:46
so i’ve got other ways that i can still
06:49
make money and stuff
06:50
have you been talking to a lot of
06:52
artists and writers and
06:54
creatives i talk to
06:58
only one other tell us something poster
06:59
artist in the way that we’re talking
07:02
you’ve heard this idea on the tell us
07:03
something podcast before that
07:05
replicating
07:06
the in-person live performance vibe that
07:08
a traditional tell us something brings
07:10
is very difficult yeah i just feel like
07:13
certain things like in our
07:16
experience like in our in our creative
07:19
experiences
07:20
can translate to online and can be
07:23
just as successful if not more in some
07:26
ways
07:27
and then other things we’re just i think
07:29
we’re finding just can’t
07:31
you can’t duplicate it right yeah
07:35
yeah you just have to kind of roll with
07:37
the
07:37
[Music]
07:39
because it’s an unstable profession to
07:41
begin with like
07:42
yeah it’s gonna be unstable in any
07:46
way and i think like creative people who
07:48
are self-employed
07:50
already feel that instability or already
07:53
kind of know
07:54
how to chart those waters if they’ve
07:57
been doing it long enough
07:59
so it it becomes i mean at least for me
08:02
became pretty easy to adapt
08:04
to because i was pretty used to
08:08
feeling some moments of floundering
08:13
financially or or you know so yeah
08:16
for me at least it was kind of like
08:19
yeah no i wouldn’t say easy i if i said
08:22
easy i
08:22
don’t think that’s the word but it it
08:24
was a an experience i was kind of
08:28
equipped for because i i’ve had periods
08:31
of good
08:32
stuff happening in periods where i’m
08:33
like i’m never going to get a job again
08:36
you know kind of feeling you have
08:39
just built your career around saying yes
08:41
basically
08:42
yeah and i don’t it’s interesting
08:44
because over the past
08:47
two years i’ve been in the process of
08:50
saying no to more things and
08:51
cutting more things out of my life as
08:54
i’ve it’s become more clear to me what i
08:55
really want and then also i’ve been
08:57
getting enough work
08:58
where i’m able to say no to things like
09:01
it was really just last
09:02
year or two years ago that i quit doing
09:05
summer markets
09:07
um i basically except for the summer
09:09
maid fairs have given up vending
09:12
all together and i only do the summer
09:14
made the majors in missoula basically
09:16
just
09:17
because that’s how i started really
09:19
getting known i feel like if people came
09:22
to my booth
09:23
at market and so i still want to keep my
09:25
toes in that a bit
09:27
i’ve given up doing private kid lessons
09:30
because it just wasn’t something i
09:31
wanted to do
09:32
i feel like i’ve been in the process of
09:34
shedding a lot of those things that i
09:36
said yesterday
09:37
at the beginning of my career in favor
09:40
of things that
09:42
really made me fulfilled and
09:45
so it’s been interesting to have been
09:47
saying no to things that then would have
09:49
been pretty hard to do
09:50
anyway um it was like um
09:55
an interesting interesting timing to
09:57
have been
09:58
paring those things down um
10:02
yeah but you’re right i absolutely and
10:03
like i know a lot of
10:05
artists who wouldn’t go that route of
10:07
like just say yes but for me it just
10:10
was the right way to go about things so
10:12
i i had a really large
10:15
pool and then it made
10:18
when one part wasn’t working i could
10:21
always rely on another part to
10:23
pay my bills and so it’s always been
10:26
like
10:27
i’ve never felt too insecure because
10:29
i’ve always had something that
10:31
i could put my hand in and be able to go
10:34
okay i can make money this way
10:36
if commissions aren’t working right now
10:38
or but it’s only you know 10 years on
10:40
and i’ve
10:41
finally been like i it’s time for me to
10:43
i need to drop something or i’m never
10:45
gonna sleep
10:46
um you know so like i don’t
10:50
i don’t want to spend the next 10 years
10:52
making products
10:54
for for me like that’s not fun or joyous
10:57
or i’d rather take that energy and
11:01
try to build more clients for my
11:03
illustration work
11:05
so yeah it’s been like i’ve been in a
11:07
period of sort of
11:09
reconfiguring and growth and
11:12
it almost gave me sort of some time to
11:14
just like slow down and be quiet
11:17
and i was getting a lot of family
11:19
commissions during
11:20
this whole period and i i think because
11:23
people are home
11:24
and they’re thinking about their spaces
11:26
more
11:27
so that was really good for me or it
11:30
gave me a focus
11:32
yeah yeah and do you
11:35
draw everything on an ipad or like a
11:38
tablet or how do you how what’s your
11:39
question
11:40
not my family commissions like the
11:43
portrait commissions i do for families
11:45
are all
11:45
pen and marker on paper and then all my
11:48
illustration work
11:50
that is for like but i do a lot for big
11:52
sky brewing company and that’s all on
11:54
the ipad because they often want
11:56
corrections or
11:58
they’ll the packaging is not just the
12:00
can but it’s the bottle
12:01
it’s the bottle it’s the can it’s the
12:04
box that the
12:05
cans would come in plus the box that the
12:07
bottles would come in and
12:09
there’s a lot of different iterations of
12:12
one design
12:14
so the ipad makes it super easy to
12:17
do all those changes and then for my
12:20
personal work i
12:22
mostly do that on pieces of paper
12:27
with real materials and this summer too
12:30
i had a residency
12:31
at the historical museum and that was
12:35
six weeks so i had a studio on site
12:38
and i was able to just dive into
12:41
um historical research about missoula
12:44
and that was re that was another like
12:47
really
12:48
awesome thing to have during this period
12:53
i was going to just say when are we
12:54
going to get to see that that sounds
12:56
awesome
12:56
yeah so i am working on
13:00
it so i did this body of work that
13:03
showed at the missoula art museum
13:04
could be without a summer it was like
13:06
very very
13:08
huge drawings with lots of detail
13:11
you want to talk about a rabbit hole
13:13
head to courtneyblazon.com to see
13:16
courtney’s exhaustive process
13:18
for this project learn the history of
13:20
volcano tambora
13:22
see courtney’s early sketches for the
13:24
work and read the notes that she took
13:26
during her research and i’m doing i’m
13:29
doing something similar with this body
13:31
of work i’m
13:31
going to recreate the period of time in
13:35
missoula which was like
13:37
1890 to 1905 roughly
13:42
on west french street where that section
13:45
of town was called the badlands
13:47
and it was a really i mean it was a it
13:49
was
13:50
where all the brothels were we had a
13:51
chinatown
13:53
so i i’m going to create that i’m hoping
13:56
it probably won’t be for a year
13:58
when i do bodies of work like this i
14:00
think i spend
14:02
about half the time doing the research
14:04
getting the sketches ready
14:06
and then the second half of the time is
14:08
actually doing the work
14:10
so right now i’m still in research and
14:12
development phase but i’ve been able to
14:14
talk to
14:15
so many amazing missoulians who have so
14:18
much knowledge about
14:19
this period of time until march 2021
14:24
you can check out the historical mural
14:26
courtney is talking about
14:28
in the alley next to radius gallery
14:30
called allez
14:31
gallery for a video teaser of the mural
14:33
and a link to the allez gallery website
14:36
visit tellusomething.org
14:40
well i mean it took you a long time to
14:42
do that
14:43
piece at the zack which is beautiful
14:46
and it has like that all of that yeah
14:52
that was about that was about 300 plus
14:55
hours and it was just a lot of work and
14:59
i was i was at the time in a studio that
15:02
was
15:04
that was a lot of work and i was working
15:06
in a really really
15:08
really small space
15:11
so i could only work on four of those
15:12
panels at a time
15:14
[Music]
15:15
this is a little different just because
15:18
in the piece
15:18
for the zax i could kind of just draw
15:22
whatever i wanted
15:23
i didn’t have to try to be true to
15:26
history at all
15:28
so this one will be a little bit more i
15:30
want to honor
15:31
sort of real historical things while
15:34
still keeping my sort of
15:36
surrealistic point of view and
15:40
stuff like that but i love that i love
15:42
that i have pieces that are just like
15:44
sort of
15:46
stream of consciousness and then pieces
15:47
that are more researched and
15:50
right now my my sort of workload and my
15:52
life my work life feels really balanced
15:56
between work that yeah
15:59
like because some of my work i mean it’s
16:01
work right like doing a family portrait
16:03
is work
16:04
because you don’t want to get anything
16:06
wrong and it’s going to be something
16:08
that will be in their home
16:10
and hopefully be passed on to their
16:13
children or
16:14
so those that i take really seriously
16:16
and they feel more like work
16:18
but that mural felt like a lot of work
16:21
but also like really playful
16:23
yeah it seemed like you were having fun
16:25
with it yeah absolutely
16:27
and i just i didn’t really have to
16:31
as long as it wasn’t inappropriate for
16:33
children i really had
16:34
so much freedom i think
16:38
i’ve been really fortunate during this
16:40
period of time to
16:43
have a number of things that have kept
16:46
me afloat
16:48
i don’t suffer from lack of
16:52
creativity i think i just like
16:56
can kind of force myself to do things
16:59
even if i’m not
17:01
feeling it just because it’s like a
17:02
muscle and i’ve already well developed
17:05
go to work yeah it’s a job
17:09
it’s a job like i i don’t feel like i
17:12
have the
17:13
the freedom to not do it just do it
17:16
and that extends to my even my personal
17:20
work even when i don’t want to show up
17:21
and do something for myself like i still
17:23
just
17:24
go just do it you’ll feel better
17:27
so that’s kind of that discipline i’ve
17:30
built over the years has really
17:32
served me and the other side of it is
17:35
like
17:35
my life changed like zero percent in
17:38
terms of
17:38
how i conducted my daily life when we
17:41
were in quarantine my life remained
17:43
exactly the same because i’ve already
17:45
been working from home for a decade
17:47
so nothing changed i was still home
17:50
alone
17:52
right you know like it’s more like just
17:54
a half an hour that you’re actually on
17:56
the zoom and then the rest
17:57
that by seeing friends and stuff like
18:00
that was really
18:01
and i did some virtual you know drink
18:04
dates with friends
18:05
and that was really nice and even like
18:08
how the zac
18:08
did their mini auction online and like
18:11
it was all on
18:12
zoom and it was just you could see
18:14
everybody
18:15
in it that was so cool
18:18
yeah that was a good example of how an
18:21
online event can
18:22
have success but it fell at the right
18:25
time because people were
18:26
so like people were just like what is
18:28
going to happen
18:29
and it felt like so it was so new
18:32
the experience of being like oh we can’t
18:36
we have to stay home and so seeing all
18:38
the faces of the people
18:40
you love in the community online and
18:43
like then seeing people bidding on
18:45
things
18:46
because i think they almost made as much
18:48
as they would of
18:49
having the event which was like what a
18:53
what a great
18:56
it just makes you feel like mozilla is a
18:59
great place
18:59
in that way it is but it definitely is
19:03
yeah it
19:03
it definitely is i just also think that
19:06
experience
19:07
has kind of it it couldn’t be recreated
19:10
again because i think now we’re so used
19:12
to this
19:13
i don’t know i maybe i’m wrong but it
19:15
just seems like
19:16
we’ve kind of gotten used to what it
19:18
means to be staying within our circle
19:20
and we’re all kind of changed because
19:24
of it and both negatively and positively
19:28
yeah you’re talking about zoom meetings
19:32
and you’re only on the call for the time
19:34
that you’re on the call and that’s it
19:35
and you can go back to work
19:37
yeah that’s been my experience too and
19:39
it’s like i kind of don’t
19:40
want to have coffee meetings again
19:44
i know i’d like to just go like let’s
19:46
just do zoom
19:47
like this is great i don’t need to go
19:50
out and spend that extra time
19:55
you know like i it doesn’t it feel like
19:57
this is gonna kind of change how people
19:59
operate
20:00
i think so i mean certainly certainly
20:03
for me you know i had somebody say hey
20:05
do you want to go have a socially
20:06
distant coffee and i was like no i don’t
20:08
actually
20:09
yeah because because i’m working and
20:12
if i leave the house that means that’s
20:15
you know half an hour to get to wherever
20:17
we’re going to meet
20:18
the time that we’re meeting and then
20:20
another half an hour to 45 minutes to
20:22
get home oh wait i
20:24
i actually i can go yeah i do need to
20:27
get
20:28
a loaf of bread or you know like no
20:30
exactly
20:33
yeah let’s have a half hour meeting and
20:35
like that’s the end of it and now i’ll
20:36
go back to work
20:38
yeah i love that too it’s actually
20:40
that’s become something that
20:42
i feel like is going to be really
20:44
beneficial
20:45
for me just be like let’s just do this
20:48
online
20:49
and that’s going to be so much easier
20:51
for everybody
20:52
i think if you’re somebody who needs
20:54
people you’re going to want to do that
20:56
anyway but
20:57
i kind of like being just in my zone
20:59
when i’m in the middle of work i just
21:01
want to stay there and that
21:03
needing stuff just breaks it up too much
21:06
yeah for sure you kind of come back
21:08
feeling unfocused or you’re like
21:10
you end up running a bunch of errands
21:12
just because you’re already out
21:14
yep so yeah going back to
21:17
work and art yeah i bet you if i had
21:20
asked you you know this year to do
21:22
something you might say no because
21:23
you’re
21:24
paring that down so thank you so much
21:27
for
21:28
making no not in that way actually i was
21:32
more just talking about like
21:34
vending oh yeah it was more just like
21:37
vending and then yeah but stuff like
21:39
that i still love doing any opportunity
21:41
i
21:41
have where i’m actually just drawing i
21:44
can’t say no to that
21:46
it’s like more just like i like to draw
21:48
and any excuse to draw
21:49
it was just like the things in which i
21:51
wasn’t actually just doing the thing i
21:53
want to do
21:54
i don’t want to do the peripheral stuff
21:56
i just want to do the art
21:58
i know what i’m doing but if somebody
22:01
wanted to know
22:02
how do you become an artist i’d be like
22:03
you just work hard
22:05
there’s no secret you’re just
22:08
you work hard you’re tenacious you
22:12
you want it more than the other person
22:14
who would want it i don’t know
22:17
um you’d be nice be nice to people but
22:20
also
22:20
be honest or not that honesty and nice
22:24
mister
22:25
but i mean be transparent if you want
22:28
comp
22:28
amount of money for your work say it
22:31
make a contract i mean there’s just so
22:32
many things that like and maybe those
22:34
are
22:34
valuable things to tell people now that
22:37
i’m thinking about
22:37
like these aren’t obvious for me i
22:40
always think
22:41
be an easy person to work with but don’t
22:43
be a pushover
22:44
and that feels like the best advice that
22:47
i was given was
22:48
be tough but always be fair and
22:52
keep record keep track of every
22:54
interaction you have
22:55
just in case somebody says you didn’t
22:58
tell me that right
23:00
or whatever right maybe it’s not obvious
23:03
it feels obvious to me
23:05
but because you’ve been doing it for 10
23:07
years
23:08
right right and isn’t it funny it’s like
23:11
you can do it as many years as you want
23:13
it still feels new like oh what if i
23:16
what if i can’t do it anymore
23:19
yeah for me it was important for my life
23:22
and especially important for my work
23:24
that i had a studio at home
23:26
where i could shut the door where like
23:29
at a certain time
23:30
at the end of the day i just said i’m
23:32
not looking at that piece of work
23:33
anymore
23:34
in my little place in the basement it
23:36
was there all the time
23:38
and it was making me crazy
23:42
the mental things just be like i’m
23:44
shutting the door on that
23:46
and i’m moving on to another part of my
23:48
day
23:49
and i yeah i mean i work more than
23:52
i should but i’ve been working really
23:55
hard also just on like
23:56
i gotta sleep more i need to find
23:59
some other hobbies not really but i mean
24:03
you know yeah i also need a little
24:06
balance in my life
24:08
it’s been nice also i’ve been finding a
24:10
lot of solace and
24:12
hiking this period
24:16
of times it’s been like yeah it’s just
24:20
remembering that that’s one of the great
24:22
reasons to live
24:23
in missoula is that you could every day
24:26
of the week you could go to a different
24:28
hiking spot
24:30
has been very very very beneficial for
24:34
my brain
24:35
yep after the unexpected and refreshing
24:38
business advice workshop
24:40
we started talking about the poster that
24:42
courtney produced
24:43
for tell something so i wanted to ask
24:45
you about
24:46
the poster that you made for us yeah
24:50
did you immediately know what you were
24:53
going to draw when i asked you to do it
24:55
and you knew what the theme was or
24:58
um i actually did some research
25:02
about like where’s my i thought i would
25:05
grab
25:05
my fingers i gotta grab it to look at it
25:09
because
25:10
so it was um because i think i like
25:13
i kind of knew pretty quickly what i was
25:15
gonna do for it
25:17
and i usually settle on an idea pretty
25:21
quickly
25:23
and i don’t know if that’s just because
25:24
i’m generally like
25:26
this is the time i have allotted for
25:28
this you better snap to it
25:31
how many events have you had in posters
25:35
at the beginning i was having
25:39
an artist design like a 24 by 36
25:42
screen print and we would just use that
25:45
same just
25:47
yeah and like with the idea being we
25:49
would sell some and nobody actually
25:51
wanted to buy anything that big
25:53
so i have you know lots of those if you
25:56
want one
25:58
um but we would just like
26:02
change the color scheme each for each
26:05
event to
26:06
differentiate it from each other
26:09
right and then
26:12
i decided you know that’s not okay
26:15
uh let’s make it really special and
26:17
let’s highlight different artists in
26:19
missoula
26:20
so then i don’t know when i made that
26:22
choice but
26:23
it was like maybe the fourth year that
26:26
we were going
26:28
right and four different artists every
26:30
year and that was
26:31
pretty awesome and and so before covet
26:34
hit
26:35
i got marlowe to frame i
26:39
had him printed on nice paper
26:42
and she framed every single poster that
26:45
we’ve ever had and we were going to have
26:46
an art show the art of tell us something
26:48
[Music]
26:50
because of our 10-year anniversary right
26:53
and so
26:54
i’m counting them now one two three four
26:58
five six i don’t know there’s like
27:02
50 something like that that’s amazing
27:06
yeah and so i paid her to frame the
27:09
posters and then coveted came and i was
27:11
like well we can’t have an art show now
27:13
and so i’ve got all these
27:15
sitting in my living room oh my gosh
27:19
yeah but she did it
27:24
uh it was going to be a quiet coffee
27:27
it’ll happen at some point i hope so you
27:30
know when we’re allowed to get back
27:32
together again
27:33
yeah so i i
27:37
i kind of like because i like i have a
27:39
hard time
27:40
hooking into being excited about a
27:43
project until i can
27:44
find some intellectual
27:48
excitement in it so i tend to just look
27:51
like if the word was
27:52
chance so i just started to look up like
27:55
chance
27:56
and then like what it was historically
28:00
and then like like the roman gods of
28:03
trance
28:03
and i think like i was kind of just
28:06
that’s the way i can get kind of excited
28:08
about it if i feel like it has a back
28:10
story
28:11
i always think it’s like an actor who
28:14
who needs a backstory for their
28:15
character even if
28:18
even if nobody knows it but it gives
28:19
them uh
28:21
a way to be really excited and invested
28:24
in what they’re doing
28:26
so i kind of knew as soon as i picked
28:29
that one and i think it was because the
28:31
word
28:31
because you gave me options i think of
28:34
two or three
28:36
yeah ones yeah and i think i picked
28:39
chance
28:39
right away because i knew it would have
28:41
like i could come up with something that
28:45
had a narrative behind it yeah
28:48
and that because because until or you
28:51
know mentally that’s just what i need to
28:53
like
28:54
get myself invested so i think like
28:58
the chance like i looked up like chance
29:01
meaning and then like kind of what it
29:04
would have meant in like
29:05
the roman period or the greek period and
29:09
then like luck of the draw and
29:12
and the dice are kind of obvious but i
29:14
use little sort of ancient
29:16
looking dice and
29:20
yeah okay so for tuna is that your name
29:25
yes for tuna yeah so i kind of knew
29:28
right away
29:29
what like that it would go that route
29:32
and then i would kind of try to figure
29:34
it out in that
29:37
but i didn’t want her to be like
29:39
blindfolded or anything
29:41
because she’s both greek it was like
29:43
yeah
29:44
i had an artist i was working with for a
29:47
show
29:48
in helena the theme was didn’t see that
29:51
coming
29:52
uh-huh and she and she without me asking
29:55
her to
29:56
she provided me three proof of concept
29:59
drawings and said you know which one do
30:01
you like yeah and one of them
30:03
featured a girl in a blindfold and i was
30:05
like
30:07
you know i get it i get it and also
30:10
like think about how people will feel
30:14
when they see that and she was like oh i
30:15
never even considered
30:17
yeah right
30:20
yeah yeah thanks for not putting a
30:22
blindfold on her
30:24
yeah so the thing on her head is
30:26
supposed to be her blindfolded
30:28
blindfold pulled up as if she’s seeing
30:32
yeah i mean and that’s just something
30:33
that i did like that you know because
30:35
then i was including what would have
30:36
been in the original representation but
30:39
it was in a different format because
30:41
like i don’t think it’s a good idea to
30:42
have
30:43
a blindfolded person because you don’t
30:45
no
30:46
yeah it just doesn’t make you’re right
30:49
it doesn’t make people
30:50
feel comfortable and if that’s your aim
30:53
but for a poster it’s not
30:55
did she have other concepts though that
30:57
made
30:58
oh yeah yeah she did a great she did an
31:00
awesome job and it was fun you know it
31:02
was fun to have somebody
31:05
ask me right right i know like
31:08
that’s not always the case right some of
31:11
us don’t
31:11
necessarily sketch out concepts and then
31:14
you just go for it
31:16
yeah and i do like it because when i do
31:20
um
31:21
like for the beer labels i have to have
31:23
concept drawings
31:25
yeah and when i’m doing something like
31:28
that i guess
31:29
yes you did give me the choice and i was
31:31
like oh well i’ll just i’ll just dive in
31:33
which is cool yeah yeah it’s
31:36
but it is it’s also nice to have that
31:38
option
31:40
i think sometimes and also like what if
31:41
she had chosen the blindfolded one you
31:43
would have been like
31:44
oh yeah i would have paid her and then
31:47
like
31:47
done something else you know like right
31:50
i would have been like well here’s your
31:52
money i can’t use this
31:54
but we had an agreement and you and you
31:56
and you met your side of the agreement
31:57
and i didn’t give you clear enough
31:59
instructions
32:00
my fault you know has it been
32:02
interesting working with artists
32:04
do you find that they’re all kind of
32:06
similar
32:07
in a way and how they approach work
32:10
or they taught me a lot about about
32:13
communicating right
32:14
right the the guidelines that i gave you
32:18
once you said you wanted to do it exist
32:20
because
32:22
some artists didn’t hit any of those
32:24
points and that was like
32:26
well they didn’t because i told them to
32:28
do whatever they wanted and they did
32:31
and then they gave me a piece of work
32:33
that i couldn’t use
32:34
and it’s because right so that’s why i’m
32:37
like okay it has to have
32:39
some sort of living thing in it you know
32:42
and it has to be
32:43
easy to read and you know all that stuff
32:45
yeah
32:46
and some you know some artists gave me
32:48
like a really beautiful piece of art but
32:49
it doesn’t have
32:51
the information that is necessary to
32:53
promote an event on it you know yeah
32:56
yeah and i think so like really good
32:58
that you provide
33:00
provide those now because i think
33:02
artists even if they think they don’t
33:04
want them they for this case they need
33:07
to have
33:08
some guidelines for sure
33:12
yeah and i i mean yeah i made
33:15
assumptions right
33:16
oh i’m hiring courtney blaizon she knows
33:19
how to do this stuff
33:21
and then courtney blazon gives me a
33:22
piece of work that it’s like beautiful
33:24
but the lettering is such that i can’t
33:27
read it you know like i’m
33:29
using you just so that i’m not pointing
33:31
out you know anybody else but
33:33
and i’m not saying that you did that you
33:35
definitely didn’t you gave me
33:38
a beautiful poster that it was easy to
33:40
read and we sold out the wilma
33:42
you know oh good i thought it looked so
33:45
good when i saw it like around the
33:48
around the town you know when it’s
33:50
because you just suck some up
33:52
right oh yeah they were everywhere yeah
33:55
yeah it was just exciting to see it i
33:57
was like that was
33:58
good yeah it does it looks great
34:02
and it was fun too like even from the
34:04
street you could tell what it was
34:06
if you were just riding your bike down
34:08
the road you might not be able to read
34:10
it because you were going fast but
34:13
yeah it was it was a great position yeah
34:16
it’s funny i i’m always telling stories
34:19
to people and they’re always like
34:20
particularly i have like a pretty
34:22
interesting life with my dad
34:24
and people are always saying you should
34:26
try to do something for tell us
34:28
something
34:29
and i feel like that would make me want
34:30
to vomit just the thought of
34:32
standing up in front of a crowd i mean i
34:36
know i could do it probably and
34:39
because i’m kind of also a cam
34:43
you know like i i like to chat
34:46
but i’m sure i could but do people want
34:49
to vomit
34:50
it’s kind of scary so
34:54
telling a story is scary and
34:58
also really fun and if you can take that
35:01
nervous
35:02
energy and turn it into you know it’s
35:03
energy so you can manipulate it to your
35:05
will
35:06
yeah and so take that nervous energy and
35:09
turn it into an
35:10
enthusiasm or excitement or whatever
35:13
you need to get through the story but by
35:16
the time you hit that stage
35:18
you’ve practiced your story enough and
35:19
you’ve gotten enough feedback from
35:22
not just other storytellers but me you
35:24
know i’m like that’s part of my job is
35:26
to
35:27
help you crash because you don’t go up
35:28
there and tell a story you like practice
35:31
and you
35:31
you people tell you what is working and
35:34
what isn’t working
35:35
and stuff like that yeah i mean in the
35:38
early days
35:39
it was just get up there and do it and
35:42
thankfully
35:43
people did great at that but as things
35:46
started progressing
35:47
i realized that i need to also step up
35:50
my game and
35:51
help them craft their story somebody
35:54
might tell me a story and it’s like
35:55
three minutes long and it’s like that’s
35:57
not your full story let’s think about
35:59
this and
36:00
and then by the time they get on the
36:02
stage it’s a beautiful piece of art you
36:03
know
36:04
wow yeah that’s amazing yeah that’s a
36:08
gift that you’re giving the community
36:10
to and hopefully like you feel
36:13
appreciated by
36:15
the you know the community i
36:18
feel really lucky really like that like
36:21
i i’m always cutting a deadline right to
36:23
the end
36:24
myself it gives you a
36:28
fire under your butt but it’s like it’s
36:31
just like a mental exercise of
36:33
i don’t care if anybody listens this is
36:36
what i do yeah yeah
36:39
i mean because i’m the same way like
36:41
i’ll force myself to finish a piece of
36:43
work that’s for me but i’m like
36:45
literally nobody but me cares
36:48
but it’s important for my mental
36:51
well-being to just stay
36:53
somewhere in that realm of
36:56
holding myself accountable i’m sure for
36:58
some people it’s other things like
37:01
exercise and sleep and what you’re
37:03
eating
37:04
for some of it’s related to like i just
37:06
need to do this to stay
37:09
accountable to myself and
37:12
like i like to dress up every day
37:13
whether i’m leaving home or not
37:15
and it’s just my way of saying like okay
37:17
you’re working now
37:19
and yeah yeah stuff like that
37:23
i don’t know i like i like the act of
37:25
changing out
37:26
of my sleeping clothes into something
37:28
that is
37:29
about being present and
37:33
focused and yeah
37:36
yeah well courtney thank you for talking
37:39
with me today i’m speaking of work
37:41
i like i do have to go to work okay well
37:44
have a good day mark and thanks for
37:47
chatting with me
37:48
thank you courtney you have an awesome
37:50
day as well and uh maybe i’ll see you
37:52
around in the neighborhood
37:53
sounds good bye all right bye

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